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• Music technology (Crucible theme)
  ...cience and music, usually in collaboration with the Cambridge [[Centre for Music and Science]]. * [[Collaborative performance technology]]
  840 bytes (101 words) - 07:17, 24 September 2011
• Crucible Theme: Music Technology
  #REDIRECT [[Crucible Theme: Music technology]]
  46 bytes (5 words) - 08:36, 14 August 2011
• Crucible Theme: Music technology
  #REDIRECT [[Music technology (Crucible theme)]]
  47 bytes (5 words) - 06:55, 1 September 2011

Page text matches

• Julio d'Escriván
  Julio is an electro-acoustic composer, and reader in Creative Music Technology at [[Anglia Ruskin University]]. * [[Collaborative performance technology]]
  347 bytes (40 words) - 08:27, 30 August 2011
• Music technology (Crucible theme)
  ...cience and music, usually in collaboration with the Cambridge [[Centre for Music and Science]]. * [[Collaborative performance technology]]
  840 bytes (101 words) - 07:17, 24 September 2011
• Nick Collins
  ...He is now a lecturer at the [[University of Sussex]], where he directs the Music Informatics degree programme. He is a well-known exponent of Live Coding, a He is author of the popular textbook Introduction to Computer Music.
  699 bytes (99 words) - 13:59, 26 August 2011
• Chris Nash
  ...computer use]] through the remote observation of digital composers using a music package developed by Chris. ...s PhD, he spent 6 months working as the first user interface specialist at music software company Steinberg.
  645 bytes (89 words) - 08:26, 12 October 2013
• Andrew Lovett
  * [[Collaborative performance technology]] * Music lecturer at [[CUMIS]]
  420 bytes (53 words) - 08:53, 2 September 2011
• Digital music discussion group
  .... In particular, although several of the members were actively involved in music research, the group intentionally met in "neutral premises" outside of any [[Crucible Theme: Music technology]]
  650 bytes (83 words) - 18:59, 3 September 2011
• The Crackle
  ...in contemporary music within the context of a Faustian extension to school music curriculum.
  385 bytes (52 words) - 07:23, 16 August 2014
• SoundCodr graphic score interpreter
  ...into music synthesis control parameters. Users can define their own novel music notation, then create a score and play it by pointing the mobile phone came [[Crucible Theme: Music technology]]
  657 bytes (99 words) - 13:34, 26 August 2011
• Simon Godsill
  ...artment]]. He has contributed to several Crucible proposals in the area of music signal processing. [[Crucible Theme: Music technology]]
  331 bytes (41 words) - 07:23, 30 August 2011
• Composer in residence - Alejandro Viñao
  working with [[ Ian Cross]] in the [[Centre for Music and Science]], and one funded by the [[Leverhulme Trust]], working with [[A [[Crucible Theme: Music technology]]
  537 bytes (78 words) - 07:07, 31 August 2011
• Ian Cross
  Ian is director of the Cambridge [[Centre for Music and Science]] * [[Virtuosity and flow in computer music]]
  538 bytes (64 words) - 13:58, 30 August 2011
• Virtuosity in computer use
  ...rch project by Chris Nash has involved the development and deployment of a music synthesis tracker plugin, which has been instrumented to collect data on th
  568 bytes (87 words) - 07:36, 15 August 2011
• Richard Hoadley
  * [[Festival of Interactive Technology]] * [[Collaborative performance technology]]
  536 bytes (64 words) - 05:41, 26 August 2011
• Improcess
  [[Crucible Theme: Music technology]] ...ten on stage, in front of an audience. Improcess is creating new tools for music programming.
  747 bytes (96 words) - 16:39, 2 September 2011
• Tone row explorer
  [[Music technology (Crucible theme)]]
  254 bytes (33 words) - 19:03, 3 September 2011
• Virtual Violins
  ...man perception of musical sound. The results inform not only research into music perception and performance, but understanding of the perception of vibratio [[Crucible Theme: Music technology]]
  942 bytes (118 words) - 08:37, 14 August 2011
• Automated performance accompaniment
  Personal music research project by Computer Lab PhD students [[Ian Davies]] and [[Meredydd [[Music technology (Crucible theme)]]
  714 bytes (99 words) - 07:17, 24 September 2011
• Alistair Stead
  [[Crucible Theme: Music technology]]
  292 bytes (37 words) - 09:10, 17 August 2014
• Triggered
  Triggered was a crossdisciplinary music, dance and technology performance created for the launch of the Digital Performance Lab at Anglia
  442 bytes (56 words) - 17:08, 2 September 2011
• Jim Woodhouse
  [[Crucible Theme: Music technology]]
  384 bytes (46 words) - 07:22, 30 August 2011