Music technology (Crucible theme): Difference between revisions
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Crucible research encompasses explorations of novel performance interfaces, notations and live music programming, in addition to the fundamental acoustics of musical instruments and music perception. Laptop music performers ([[Nick Collins]]), music technology developers ([[Chris Nash]]) and electro-acoustic composers ([[Alejandro Viñao]]) are working on the boundary of computer science and music, usually in collaboration with the Cambridge [[Centre for Music and Science]]. | |||
Projects in this theme: | Projects in this theme: | ||
* [[reViSiT]] | |||
* [[Virtual Violins]] | |||
* [[Nick Collins]] PhD | |||
* [[Virtuosity in computer use]] | |||
* [[Collaborative performance technology]] | |||
* [[Improcess]] | * [[Improcess]] | ||
* [[ | * [[Composer in residence - Alejandro Viñao]] | ||
* [[ | * [[Composer in residence - Cheryl Frances-Hoad]] | ||
* [[Tone row explorer]] | |||
* [[Automated performance accompaniment]] | |||
[[Category:Themes]] | |||
Latest revision as of 07:17, 24 September 2011
Crucible research encompasses explorations of novel performance interfaces, notations and live music programming, in addition to the fundamental acoustics of musical instruments and music perception. Laptop music performers (Nick Collins), music technology developers (Chris Nash) and electro-acoustic composers (Alejandro Viñao) are working on the boundary of computer science and music, usually in collaboration with the Cambridge Centre for Music and Science.
Projects in this theme:
