Performance capture: Difference between revisions
From Crucible Network Research Projects
Jump to navigationJump to search
(Created page with "Funded under the CREATOR network, this project was a collaboration between the University of Cambridge Computer Laboratory, Culture Lab Newcastle, the University of Southampton S...") |
No edit summary |
||
| (One intermediate revision by the same user not shown) | |||
| Line 5: | Line 5: | ||
Collaborators: | Collaborators: | ||
* Lorraine Warren (Southampton) | * [[Lorraine Warren]] (Southampton) | ||
* [[Sally Jane Norman]] (Newcastle) | * [[Sally Jane Norman]] (Newcastle) | ||
* [[Kirk Woolford]] (Sussex) | * [[Kirk Woolford]] (Sussex) | ||
| Line 12: | Line 12: | ||
* [[Chris Nash]] | * [[Chris Nash]] | ||
* [[Ian Davies]] | * [[Ian Davies]] | ||
* Daniel Bernhardt | * [[Daniel Bernhardt]] | ||
[[Category:Projects]] | |||
Latest revision as of 18:35, 5 September 2014
Funded under the CREATOR network, this project was a collaboration between the University of Cambridge Computer Laboratory, Culture Lab Newcastle, the University of Southampton School of Management, and the department of Media and Film at the University of Sussex. It explored the use of motion capture technology in a performing arts context, and also explicitly investigated the metaphorical connection to how value is "captured" in collaborations of this kind.
Crucible Theme: Reflective practice
Collaborators:
- Lorraine Warren (Southampton)
- Sally Jane Norman (Newcastle)
- Kirk Woolford (Sussex)
- Peter Robinson
- Alan Blackwell
- Chris Nash
- Ian Davies
- Daniel Bernhardt
