Computer music (Alan Blackwell's research theme): Difference between revisions
(Created page with "Wiki page summarising research by Alan Blackwell with students and collaborators Recent publications on this topic can be found at: http://www.cl.cam.ac.uk/~afb21/publicatio...") |
m (moved Alan Blackwell Research Theme: Computer Music to Computer music (Alan Blackwell's research theme)) |
||
| (4 intermediate revisions by the same user not shown) | |||
| Line 4: | Line 4: | ||
http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music | http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music | ||
I work closely with the Cambridge Centre for Music and Science, | I work closely with the Cambridge [[Centre for Music and Science]], where I have co-supervised PhD and Masters students with [[Ian Cross]] and [[Nicholas Cook]]. | ||
My specialist interest is in the creation of new music notation systems for composition, performance and music scholarship. I am particularly interested in Live Coding - using a programming language to create music synthesis programs in front of an audience. I have also carried out a number of projects using tangible user interfaces, or embodied gestural interfaces, for composition and musical control. | |||
Sponsors: | Sponsors: | ||
AHRC | [[AHRC]], [[Leverhulme Trust]] | ||
Collaborators: | |||
[[Ian Cross]], [[Nick Cook]], [[Jim Woodhouse]], [[Brian Moore]], [[Alejandro Viñao]] | |||
Research staff and students: | Research staff and students: | ||
* Nick Collins | * [[Nick Collins]] | ||
* Chris Nash | * [[Chris Nash]] | ||
* Rachel Sweeney | * [[Rachel Sweeney]] | ||
* Sam Aaron | * [[Sam Aaron]] | ||
* Alistair Stead | * [[Alistair Stead]] | ||
* Rhodri Morgan | * [[Rhodri Morgan]] | ||
[[Category:Themes]] | |||
Latest revision as of 07:01, 1 September 2011
Wiki page summarising research by Alan Blackwell with students and collaborators
Recent publications on this topic can be found at: http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music
I work closely with the Cambridge Centre for Music and Science, where I have co-supervised PhD and Masters students with Ian Cross and Nicholas Cook.
My specialist interest is in the creation of new music notation systems for composition, performance and music scholarship. I am particularly interested in Live Coding - using a programming language to create music synthesis programs in front of an audience. I have also carried out a number of projects using tangible user interfaces, or embodied gestural interfaces, for composition and musical control.
Sponsors:
Collaborators:
Ian Cross, Nick Cook, Jim Woodhouse, Brian Moore, Alejandro Viñao
Research staff and students:
