Music technology (Crucible theme): Difference between revisions
From Crucible Network Research Projects
Jump to navigationJump to search
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
Crucible research encompasses explorations of novel performance interfaces, notations and live music programming, in addition to the fundamental acoustics of musical instruments and music perception. Laptop music performers ([[Nick Collins]]), music technology developers ([[Chris Nash]]) and electro-acoustic composers ([[Alejandro Viñao]]) are working on the boundary of computer science and music, usually in collaboration with the Cambridge [[Centre for Music and Science]]. | |||
Projects in this theme: | Projects in this theme: | ||
Revision as of 10:56, 26 August 2011
Crucible research encompasses explorations of novel performance interfaces, notations and live music programming, in addition to the fundamental acoustics of musical instruments and music perception. Laptop music performers (Nick Collins), music technology developers (Chris Nash) and electro-acoustic composers (Alejandro Viñao) are working on the boundary of computer science and music, usually in collaboration with the Cambridge Centre for Music and Science.
Projects in this theme:
