Difference between revisions of "Computer music (Alan Blackwell's research theme)"

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(Created page with "Wiki page summarising research by Alan Blackwell with students and collaborators Recent publications on this topic can be found at: http://www.cl.cam.ac.uk/~afb21/publicatio...")
 
 
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http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music
 
http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music
  
I work closely with the Cambridge Centre for Music and Science, and have co-supervised PhD and Masters students with Ian Cross and Nicholas Cook.
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I work closely with the Cambridge [[Centre for Music and Science]], where I have co-supervised PhD and Masters students with [[Ian Cross]] and [[Nicholas Cook]].
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My specialist interest is in the creation of new music notation systems for composition, performance and music scholarship. I am particularly interested in Live Coding - using a programming language to create music synthesis programs in front of an audience. I have also carried out a number of projects using tangible user interfaces, or embodied gestural interfaces, for composition and musical control.
  
 
Sponsors:
 
Sponsors:
  
AHRC
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[[AHRC]], [[Leverhulme Trust]]
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Collaborators:
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[[Ian Cross]], [[Nick Cook]], [[Jim Woodhouse]], [[Brian Moore]], [[Alejandro Viñao]]
  
 
Research staff and students:
 
Research staff and students:
* Nick Collins
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* [[Nick Collins]]
* Chris Nash
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* [[Chris Nash]]
* Rachel Sweeney
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* [[Rachel Sweeney]]
* Sam Aaron
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* [[Sam Aaron]]
* Alistair Stead
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* [[Alistair Stead]]
* Rhodri Morgan
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* [[Rhodri Morgan]]
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[[Category:Themes]]

Latest revision as of 07:01, 1 September 2011

Wiki page summarising research by Alan Blackwell with students and collaborators

Recent publications on this topic can be found at: http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music

I work closely with the Cambridge Centre for Music and Science, where I have co-supervised PhD and Masters students with Ian Cross and Nicholas Cook.

My specialist interest is in the creation of new music notation systems for composition, performance and music scholarship. I am particularly interested in Live Coding - using a programming language to create music synthesis programs in front of an audience. I have also carried out a number of projects using tangible user interfaces, or embodied gestural interfaces, for composition and musical control.

Sponsors:

AHRC, Leverhulme Trust

Collaborators:

Ian Cross, Nick Cook, Jim Woodhouse, Brian Moore, Alejandro Viñao

Research staff and students: