Pages with the most revisions

Showing below up to 250 results in range #1 to #250.

1. Main Page‏‎ (109 revisions)
2. Crucible Network Members‏‎ (26 revisions)
3. Group design projects‏‎ (26 revisions)
4. Applying to work with Alan Blackwell‏‎ (25 revisions)
5. Standard reply to students writing to request an internship‏‎ (15 revisions)
6. Ian Cross‏‎ (14 revisions)
7. Visual representation (Alan Blackwell's research theme)‏‎ (13 revisions)
8. Undergraduate research (Crucible theme)‏‎ (13 revisions)
9. Music technology (Crucible theme)‏‎ (12 revisions)
10. End-user development (Alan Blackwell's research theme)‏‎ (12 revisions)
11. Nathan Crilly‏‎ (11 revisions)
12. Cecily Morrison‏‎ (11 revisions)
13. Jane Turner‏‎ (10 revisions)
14. Bronac Ferran‏‎ (10 revisions)
15. Inference Group Reunion‏‎ (10 revisions)
16. New Century Cities‏‎ (9 revisions)
17. David Coyle‏‎ (9 revisions)
18. Jussi Parikka‏‎ (9 revisions)
19. New Technology Arts Fellowships‏‎ (9 revisions)
20. Improcess‏‎ (9 revisions)
21. Design intent‏‎ (9 revisions)
22. Digital humanities (Crucible theme)‏‎ (9 revisions)
23. Alan Blackwell‏‎ (8 revisions)
24. Critical theory (Alan Blackwell's research theme)‏‎ (8 revisions)
25. Public value from technology in the arts‏‎ (8 revisions)
26. Healthcare IT (Crucible theme)‏‎ (8 revisions)
27. Rachel Hewson‏‎ (8 revisions)
28. Groups in academia‏‎ (7 revisions)
29. Undergraduate Research Opportunities Programme (UROP)‏‎ (7 revisions)
30. Taxonomic inference‏‎ (7 revisions)
31. Michal Kosinski‏‎ (7 revisions)
32. Energy use visualisation‏‎ (7 revisions)
33. Bridging the Global Digital Divides‏‎ (7 revisions)
34. David Good‏‎ (7 revisions)
35. Policy research (Crucible theme)‏‎ (7 revisions)
36. Sam Aaron‏‎ (7 revisions)
37. Digital culture in society‏‎ (7 revisions)
38. Sharath Srinivasan‏‎ (7 revisions)
39. Interdisciplinarity and Innovation‏‎ (7 revisions)
40. Cultures of the Digital Economy‏‎ (7 revisions)
41. James Leach‏‎ (7 revisions)
42. Choreography and Cognition‏‎ (7 revisions)
43. Paul Fletcher‏‎ (7 revisions)
44. ReadYourMeter.org‏‎ (7 revisions)
45. Design, Theory and Society‏‎ (7 revisions)
46. Tangible, augmented and embodied interaction (Alan Blackwell's research theme)‏‎ (7 revisions)
47. Sonic Pi‏‎ (7 revisions)
48. Interact Artists in Industry‏‎ (7 revisions)
49. Martin Eppler‏‎ (6 revisions)
50. Psychology of Programming (Alan Blackwell's research theme)‏‎ (6 revisions)
51. Design education (Crucible theme)‏‎ (6 revisions)
52. Festival of Interactive Technology‏‎ (6 revisions)
53. Critical Care for the World‏‎ (6 revisions)
54. Gender in open source‏‎ (6 revisions)
55. Making mobiles tangible‏‎ (6 revisions)
56. CRASSH‏‎ (6 revisions)
57. Museums of the future‏‎ (6 revisions)
58. Art and science research fellowships‏‎ (6 revisions)
59. Boeing Corporation‏‎ (6 revisions)
60. Computer music (Alan Blackwell's research theme)‏‎ (6 revisions)
61. Cheryl Frances-Hoad‏‎ (6 revisions)
62. François Penz‏‎ (6 revisions)
63. Choreographic Language Agent‏‎ (6 revisions)
64. Social Property and New Social Forms‏‎ (5 revisions)
65. University of Sussex‏‎ (5 revisions)
66. Strategy roadmaps‏‎ (5 revisions)
67. Rachel Drury‏‎ (5 revisions)
68. The Junction‏‎ (5 revisions)
69. Robert Aish‏‎ (5 revisions)
70. Pension understanding‏‎ (5 revisions)
71. Interdisciplinary collaboration (Crucible theme)‏‎ (5 revisions)
72. Age and Meaning‏‎ (5 revisions)
73. Motivation and behaviour change (Crucible theme)‏‎ (5 revisions)
74. Talks.cam‏‎ (5 revisions)
75. Information systems in critical care‏‎ (5 revisions)
76. Mark Blythe‏‎ (5 revisions)
77. Andrew Lovett‏‎ (5 revisions)
78. Anne Alexander‏‎ (5 revisions)
79. Collaborative performance technology‏‎ (5 revisions)
80. Dance research (Crucible theme)‏‎ (5 revisions)
81. Computational aesthetics‏‎ (5 revisions)
82. Untraditional Folk‏‎ (5 revisions)
83. Leo Impett‏‎ (5 revisions)
84. Architectural ethnography‏‎ (5 revisions)
85. Graphic elicitation‏‎ (5 revisions)
86. Flagship Retrofit‏‎ (4 revisions)
87. Interactive optical tags‏‎ (4 revisions)
88. Natasa Milic-Frayling‏‎ (4 revisions)
89. Artefacts of Encounter‏‎ (4 revisions)
90. HCI theory group‏‎ (4 revisions)
91. CARET‏‎ (4 revisions)
92. Computer Laboratory‏‎ (4 revisions)
93. Coded Chimera‏‎ (4 revisions)
94. Nancy Foster‏‎ (4 revisions)
95. Per Ola Kristensson‏‎ (4 revisions)
96. Distributed working‏‎ (4 revisions)
97. Across Design‏‎ (4 revisions)
98. Tommy Nilsson‏‎ (4 revisions)
99. FrontlineSMS:Radio‏‎ (4 revisions)
100. Sketching as a design practice (Crucible theme)‏‎ (4 revisions)
101. Programming as craft‏‎ (4 revisions)
102. Rob Phaal‏‎ (4 revisions)
103. Online inter-faith dialogue platform‏‎ (4 revisions)
104. Social Sensing‏‎ (4 revisions)
105. Technology for mental health‏‎ (4 revisions)
106. Luke Church‏‎ (4 revisions)
107. Forensic speaker identification‏‎ (4 revisions)
108. Design for humanitarian relief‏‎ (4 revisions)
109. Tim Regan‏‎ (4 revisions)
110. Creative Cambridge‏‎ (4 revisions)
111. Alex Kuscher‏‎ (4 revisions)
112. The Thinking Machine‏‎ (4 revisions)
113. Advice for those wishing to pursue a PhD in interdisciplinary design‏‎ (4 revisions)
114. Visualisations for collaborative work‏‎ (4 revisions)
115. Bill Nicholl‏‎ (4 revisions)
116. Samuelle Carlson‏‎ (4 revisions)
117. Mary Jacobus‏‎ (4 revisions)
118. Eugene Terentjev‏‎ (4 revisions)
119. Theories of function in design‏‎ (4 revisions)
120. Emotion regulation therapies for people with cognitive impairment‏‎ (4 revisions)
121. Martyn Dade-Robertson‏‎ (4 revisions)
122. Representing Knowledge: Exploring Computational Techniques‏‎ (4 revisions)
123. Collaboration and Ownership in the Digital Economy‏‎ (4 revisions)
124. Ed Champness‏‎ (4 revisions)
125. Bodies in Space‏‎ (4 revisions)
126. Laura Beckwith‏‎ (4 revisions)
127. Tom Ling‏‎ (4 revisions)
128. Design approaches to drug discovery‏‎ (4 revisions)
129. Interdisciplinary Design (Alan Blackwell's research theme)‏‎ (4 revisions)
130. Michael Nitsche‏‎ (4 revisions)
131. Jennifer Rode‏‎ (4 revisions)
132. Giles Lane‏‎ (4 revisions)
133. Chris Nash‏‎ (3 revisions)
134. Alexa Wright‏‎ (3 revisions)
135. LikeAudience.com‏‎ (3 revisions)
136. Interaction with musical polytempi‏‎ (3 revisions)
137. Mobile cloud‏‎ (3 revisions)
138. Ethics of big data‏‎ (3 revisions)
139. Digital music discussion group‏‎ (3 revisions)
140. Location-based IoT discourse‏‎ (3 revisions)
141. Science Non-fiction and the Bottom Billion‏‎ (3 revisions)
142. Humanities Computing for Languages (CHUCOL)‏‎ (3 revisions)
143. Gavin Hogben‏‎ (3 revisions)
144. Autopoiesis: novelty, meaning and value‏‎ (3 revisions)
145. Subversion, Conversion and Development‏‎ (3 revisions)
146. Visualise - Arts and Technology‏‎ (3 revisions)
147. Jeff Osborne‏‎ (3 revisions)
148. Quentin Stafford-Fraser‏‎ (3 revisions)
149. Saeed Aghaee‏‎ (3 revisions)
150. Matthew Jones‏‎ (3 revisions)
151. Richard Harper‏‎ (3 revisions)
152. Diptych‏‎ (3 revisions)
153. Vania Sena‏‎ (3 revisions)
154. Art-Science Research Fellowships‏‎ (3 revisions)
155. Blackwell-Leach Method‏‎ (3 revisions)
156. Lionel Bently‏‎ (3 revisions)
157. Ralph Sommerer‏‎ (3 revisions)
158. User-customisable systems to support disaster medicine in China‏‎ (3 revisions)
159. Video analytics‏‎ (3 revisions)
160. Maureen Thomas‏‎ (3 revisions)
161. I-Professor‏‎ (3 revisions)
162. Ndiyo‏‎ (3 revisions)
163. Emergence (Crucible theme)‏‎ (3 revisions)
164. Artists in residence‏‎ (3 revisions)
165. ICT Methods Network‏‎ (3 revisions)
166. Digital Rosary‏‎ (3 revisions)
167. Web content on small screens‏‎ (3 revisions)
168. Shared agency in computer use‏‎ (3 revisions)
169. Business value of social networking‏‎ (3 revisions)
170. Zoë Svendsen‏‎ (3 revisions)
171. Phone programming for children‏‎ (3 revisions)
172. Christopher Newfield‏‎ (3 revisions)
173. Jonathan Hook‏‎ (3 revisions)
174. Melissa Pierce Murray‏‎ (3 revisions)
175. Dave Gray‏‎ (3 revisions)
176. Chris Sandbrook‏‎ (3 revisions)
177. Jeremy Baumberg‏‎ (3 revisions)
178. Design agency and intent (Crucible theme)‏‎ (3 revisions)
179. Internships in Cambridge‏‎ (3 revisions)
180. Evolve a pet‏‎ (3 revisions)
181. Humanities in the European Research Area‏‎ (3 revisions)
182. Virtual Violins‏‎ (3 revisions)
183. Cross-cultural partnership template‏‎ (3 revisions)
184. Matt Segall‏‎ (3 revisions)
185. Theresa Marteau‏‎ (3 revisions)
186. Stephen Allott‏‎ (3 revisions)
187. Performance capture‏‎ (3 revisions)
188. Collusion‏‎ (3 revisions)
189. Triggered‏‎ (3 revisions)
190. Microsoft Research Cambridge‏‎ (3 revisions)
191. Alejandro Viñao‏‎ (3 revisions)
192. Human participants in technology research‏‎ (3 revisions)
193. Returning to online locations‏‎ (3 revisions)
194. Performance Programming‏‎ (3 revisions)
195. Re-use of clinical data‏‎ (3 revisions)
196. Eleanor Toye‏‎ (3 revisions)
197. Nicholas Cook‏‎ (3 revisions)
198. Norman MacLeod‏‎ (3 revisions)
199. Nick Rothwell‏‎ (3 revisions)
200. Cambridge-MIT Institute‏‎ (3 revisions)
201. Alistair Stead‏‎ (3 revisions)
202. Tom Drummond‏‎ (3 revisions)
203. LION Bioscience‏‎ (3 revisions)
204. Reactive materials in public art‏‎ (3 revisions)
205. Gender and domestic programming‏‎ (3 revisions)
206. Drawing at a distance‏‎ (3 revisions)
207. Barry Rogers‏‎ (3 revisions)
208. Work Meets Life‏‎ (3 revisions)
209. Sally Fincher‏‎ (3 revisions)
210. Royal College of Art‏‎ (3 revisions)
211. Jofish Kaye‏‎ (3 revisions)
212. Hetty Blades‏‎ (3 revisions)
213. CREATOR network‏‎ (3 revisions)
214. Isak Herman‏‎ (3 revisions)
215. Inference and direct manipulation‏‎ (2 revisions)
216. European Storytelling Archive‏‎ (2 revisions)
217. Rory McCann‏‎ (2 revisions)
218. Brian Moore‏‎ (2 revisions)
219. Customisation of electronic patient records‏‎ (2 revisions)
220. Jim Woodhouse‏‎ (2 revisions)
221. James Scott‏‎ (2 revisions)
222. Hanna Wallach‏‎ (2 revisions)
223. Design in Science‏‎ (2 revisions)
224. Dan Greenfield‏‎ (2 revisions)
225. Empathy and programming‏‎ (2 revisions)
226. Seamful museum experience‏‎ (2 revisions)
227. Gavin Burnage‏‎ (2 revisions)
228. AtaXia‏‎ (2 revisions)
229. Tone row explorer‏‎ (2 revisions)
230. Cecilia Mascolo‏‎ (2 revisions)
231. Process plant exploration‏‎ (2 revisions)
232. John Naughton‏‎ (2 revisions)
233. Alain Vuylsteke‏‎ (2 revisions)
234. Alan Payne‏‎ (2 revisions)
235. David Robey‏‎ (2 revisions)
236. Musical timbre-morphing‏‎ (2 revisions)
237. Ian Davies‏‎ (2 revisions)
238. Xerox EuroPARC‏‎ (2 revisions)
239. Culture, Communication and Change‏‎ (2 revisions)
240. Design education in the UK and China‏‎ (2 revisions)
241. Neil Dodgson‏‎ (2 revisions)
242. Teaching rhetoric with tangible interfaces‏‎ (2 revisions)
243. Anne Anderson‏‎ (2 revisions)
244. John Barker‏‎ (2 revisions)
245. Arlene Oak‏‎ (2 revisions)
246. Scanning and feedback from chemical structures‏‎ (2 revisions)
247. Kathleen Richardson‏‎ (2 revisions)
248. Seeing big data‏‎ (2 revisions)
249. Anne-Sophie Baets‏‎ (2 revisions)
250. Button brain‏‎ (2 revisions)