Pages with the most revisions

From Crucible Network Research Projects
Jump to navigationJump to search

Showing below up to 250 results in range #1 to #250.

View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)

  1. Main Page‏‎ (109 revisions)
  2. Crucible Network Members‏‎ (26 revisions)
  3. Group design projects‏‎ (26 revisions)
  4. Applying to work with Alan Blackwell‏‎ (25 revisions)
  5. Ian Cross‏‎ (14 revisions)
  6. Visual representation (Alan Blackwell's research theme)‏‎ (13 revisions)
  7. Undergraduate research (Crucible theme)‏‎ (13 revisions)
  8. End-user development (Alan Blackwell's research theme)‏‎ (12 revisions)
  9. Music technology (Crucible theme)‏‎ (12 revisions)
  10. Cecily Morrison‏‎ (11 revisions)
  11. Nathan Crilly‏‎ (11 revisions)
  12. Bronac Ferran‏‎ (10 revisions)
  13. Inference Group Reunion‏‎ (10 revisions)
  14. Jane Turner‏‎ (10 revisions)
  15. New Technology Arts Fellowships‏‎ (9 revisions)
  16. Improcess‏‎ (9 revisions)
  17. Design intent‏‎ (9 revisions)
  18. Digital humanities (Crucible theme)‏‎ (9 revisions)
  19. David Coyle‏‎ (9 revisions)
  20. New Century Cities‏‎ (9 revisions)
  21. Jussi Parikka‏‎ (9 revisions)
  22. Public value from technology in the arts‏‎ (8 revisions)
  23. Rachel Hewson‏‎ (8 revisions)
  24. Healthcare IT (Crucible theme)‏‎ (8 revisions)
  25. Alan Blackwell‏‎ (8 revisions)
  26. Critical theory (Alan Blackwell's research theme)‏‎ (8 revisions)
  27. David Good‏‎ (7 revisions)
  28. Policy research (Crucible theme)‏‎ (7 revisions)
  29. Sam Aaron‏‎ (7 revisions)
  30. Digital culture in society‏‎ (7 revisions)
  31. Sharath Srinivasan‏‎ (7 revisions)
  32. Interdisciplinarity and Innovation‏‎ (7 revisions)
  33. Cultures of the Digital Economy‏‎ (7 revisions)
  34. Paul Fletcher‏‎ (7 revisions)
  35. James Leach‏‎ (7 revisions)
  36. Choreography and Cognition‏‎ (7 revisions)
  37. ReadYourMeter.org‏‎ (7 revisions)
  38. Design, Theory and Society‏‎ (7 revisions)
  39. Tangible, augmented and embodied interaction (Alan Blackwell's research theme)‏‎ (7 revisions)
  40. Sonic Pi‏‎ (7 revisions)
  41. Interact Artists in Industry‏‎ (7 revisions)
  42. Standard reply to students writing to request an internship‏‎ (7 revisions)
  43. Groups in academia‏‎ (7 revisions)
  44. Undergraduate Research Opportunities Programme (UROP)‏‎ (7 revisions)
  45. Taxonomic inference‏‎ (7 revisions)
  46. Michal Kosinski‏‎ (7 revisions)
  47. Energy use visualisation‏‎ (7 revisions)
  48. Bridging the Global Digital Divides‏‎ (7 revisions)
  49. Gender in open source‏‎ (6 revisions)
  50. Making mobiles tangible‏‎ (6 revisions)
  51. CRASSH‏‎ (6 revisions)
  52. Museums of the future‏‎ (6 revisions)
  53. Art and science research fellowships‏‎ (6 revisions)
  54. Boeing Corporation‏‎ (6 revisions)
  55. Computer music (Alan Blackwell's research theme)‏‎ (6 revisions)
  56. Cheryl Frances-Hoad‏‎ (6 revisions)
  57. François Penz‏‎ (6 revisions)
  58. Choreographic Language Agent‏‎ (6 revisions)
  59. Psychology of Programming (Alan Blackwell's research theme)‏‎ (6 revisions)
  60. Martin Eppler‏‎ (6 revisions)
  61. Design education (Crucible theme)‏‎ (6 revisions)
  62. Festival of Interactive Technology‏‎ (6 revisions)
  63. Critical Care for the World‏‎ (6 revisions)
  64. Robert Aish‏‎ (5 revisions)
  65. Pension understanding‏‎ (5 revisions)
  66. Interdisciplinary collaboration (Crucible theme)‏‎ (5 revisions)
  67. Age and Meaning‏‎ (5 revisions)
  68. Motivation and behaviour change (Crucible theme)‏‎ (5 revisions)
  69. Talks.cam‏‎ (5 revisions)
  70. Information systems in critical care‏‎ (5 revisions)
  71. Andrew Lovett‏‎ (5 revisions)
  72. Mark Blythe‏‎ (5 revisions)
  73. Anne Alexander‏‎ (5 revisions)
  74. Computational aesthetics‏‎ (5 revisions)
  75. Untraditional Folk‏‎ (5 revisions)
  76. Dance research (Crucible theme)‏‎ (5 revisions)
  77. Collaborative performance technology‏‎ (5 revisions)
  78. Architectural ethnography‏‎ (5 revisions)
  79. Leo Impett‏‎ (5 revisions)
  80. Graphic elicitation‏‎ (5 revisions)
  81. Social Property and New Social Forms‏‎ (5 revisions)
  82. University of Sussex‏‎ (5 revisions)
  83. Strategy roadmaps‏‎ (5 revisions)
  84. Rachel Drury‏‎ (5 revisions)
  85. The Junction‏‎ (5 revisions)
  86. Online inter-faith dialogue platform‏‎ (4 revisions)
  87. Rob Phaal‏‎ (4 revisions)
  88. Social Sensing‏‎ (4 revisions)
  89. Technology for mental health‏‎ (4 revisions)
  90. Luke Church‏‎ (4 revisions)
  91. Forensic speaker identification‏‎ (4 revisions)
  92. Tim Regan‏‎ (4 revisions)
  93. Alex Kuscher‏‎ (4 revisions)
  94. Creative Cambridge‏‎ (4 revisions)
  95. Design for humanitarian relief‏‎ (4 revisions)
  96. Advice for those wishing to pursue a PhD in interdisciplinary design‏‎ (4 revisions)
  97. The Thinking Machine‏‎ (4 revisions)
  98. Visualisations for collaborative work‏‎ (4 revisions)
  99. Bill Nicholl‏‎ (4 revisions)
  100. Samuelle Carlson‏‎ (4 revisions)
  101. Mary Jacobus‏‎ (4 revisions)
  102. Eugene Terentjev‏‎ (4 revisions)
  103. Emotion regulation therapies for people with cognitive impairment‏‎ (4 revisions)
  104. Theories of function in design‏‎ (4 revisions)
  105. Martyn Dade-Robertson‏‎ (4 revisions)
  106. Representing Knowledge: Exploring Computational Techniques‏‎ (4 revisions)
  107. Collaboration and Ownership in the Digital Economy‏‎ (4 revisions)
  108. Ed Champness‏‎ (4 revisions)
  109. Bodies in Space‏‎ (4 revisions)
  110. Tom Ling‏‎ (4 revisions)
  111. Design approaches to drug discovery‏‎ (4 revisions)
  112. Interdisciplinary Design (Alan Blackwell's research theme)‏‎ (4 revisions)
  113. Jennifer Rode‏‎ (4 revisions)
  114. Giles Lane‏‎ (4 revisions)
  115. Laura Beckwith‏‎ (4 revisions)
  116. Interactive optical tags‏‎ (4 revisions)
  117. Flagship Retrofit‏‎ (4 revisions)
  118. Michael Nitsche‏‎ (4 revisions)
  119. Natasa Milic-Frayling‏‎ (4 revisions)
  120. Artefacts of Encounter‏‎ (4 revisions)
  121. HCI theory group‏‎ (4 revisions)
  122. CARET‏‎ (4 revisions)
  123. Computer Laboratory‏‎ (4 revisions)
  124. Coded Chimera‏‎ (4 revisions)
  125. Nancy Foster‏‎ (4 revisions)
  126. Per Ola Kristensson‏‎ (4 revisions)
  127. Distributed working‏‎ (4 revisions)
  128. Across Design‏‎ (4 revisions)
  129. FrontlineSMS:Radio‏‎ (4 revisions)
  130. Sketching as a design practice (Crucible theme)‏‎ (4 revisions)
  131. Programming as craft‏‎ (4 revisions)
  132. Tommy Nilsson‏‎ (4 revisions)
  133. Ndiyo‏‎ (3 revisions)
  134. Emergence (Crucible theme)‏‎ (3 revisions)
  135. Maureen Thomas‏‎ (3 revisions)
  136. I-Professor‏‎ (3 revisions)
  137. Artists in residence‏‎ (3 revisions)
  138. Video analytics‏‎ (3 revisions)
  139. ICT Methods Network‏‎ (3 revisions)
  140. Business value of social networking‏‎ (3 revisions)
  141. Web content on small screens‏‎ (3 revisions)
  142. Shared agency in computer use‏‎ (3 revisions)
  143. Zoë Svendsen‏‎ (3 revisions)
  144. Digital Rosary‏‎ (3 revisions)
  145. Melissa Pierce Murray‏‎ (3 revisions)
  146. Christopher Newfield‏‎ (3 revisions)
  147. Jonathan Hook‏‎ (3 revisions)
  148. Phone programming for children‏‎ (3 revisions)
  149. Dave Gray‏‎ (3 revisions)
  150. Jeremy Baumberg‏‎ (3 revisions)
  151. Design agency and intent (Crucible theme)‏‎ (3 revisions)
  152. Internships in Cambridge‏‎ (3 revisions)
  153. Evolve a pet‏‎ (3 revisions)
  154. Chris Sandbrook‏‎ (3 revisions)
  155. Matt Segall‏‎ (3 revisions)
  156. Theresa Marteau‏‎ (3 revisions)
  157. Virtual Violins‏‎ (3 revisions)
  158. Cross-cultural partnership template‏‎ (3 revisions)
  159. Humanities in the European Research Area‏‎ (3 revisions)
  160. Performance capture‏‎ (3 revisions)
  161. Collusion‏‎ (3 revisions)
  162. Stephen Allott‏‎ (3 revisions)
  163. Triggered‏‎ (3 revisions)
  164. Microsoft Research Cambridge‏‎ (3 revisions)
  165. Eleanor Toye‏‎ (3 revisions)
  166. Alejandro Viñao‏‎ (3 revisions)
  167. Human participants in technology research‏‎ (3 revisions)
  168. Returning to online locations‏‎ (3 revisions)
  169. Performance Programming‏‎ (3 revisions)
  170. Re-use of clinical data‏‎ (3 revisions)
  171. Nicholas Cook‏‎ (3 revisions)
  172. Alistair Stead‏‎ (3 revisions)
  173. Cambridge-MIT Institute‏‎ (3 revisions)
  174. Norman MacLeod‏‎ (3 revisions)
  175. Nick Rothwell‏‎ (3 revisions)
  176. Reactive materials in public art‏‎ (3 revisions)
  177. Gender and domestic programming‏‎ (3 revisions)
  178. Drawing at a distance‏‎ (3 revisions)
  179. Tom Drummond‏‎ (3 revisions)
  180. Barry Rogers‏‎ (3 revisions)
  181. Work Meets Life‏‎ (3 revisions)
  182. LION Bioscience‏‎ (3 revisions)
  183. Sally Fincher‏‎ (3 revisions)
  184. Isak Herman‏‎ (3 revisions)
  185. Jofish Kaye‏‎ (3 revisions)
  186. CREATOR network‏‎ (3 revisions)
  187. Royal College of Art‏‎ (3 revisions)
  188. Hetty Blades‏‎ (3 revisions)
  189. Chris Nash‏‎ (3 revisions)
  190. Interaction with musical polytempi‏‎ (3 revisions)
  191. Alexa Wright‏‎ (3 revisions)
  192. Mobile cloud‏‎ (3 revisions)
  193. Ethics of big data‏‎ (3 revisions)
  194. LikeAudience.com‏‎ (3 revisions)
  195. Digital music discussion group‏‎ (3 revisions)
  196. Subversion, Conversion and Development‏‎ (3 revisions)
  197. Location-based IoT discourse‏‎ (3 revisions)
  198. Science Non-fiction and the Bottom Billion‏‎ (3 revisions)
  199. Humanities Computing for Languages (CHUCOL)‏‎ (3 revisions)
  200. Gavin Hogben‏‎ (3 revisions)
  201. Autopoiesis: novelty, meaning and value‏‎ (3 revisions)
  202. Visualise - Arts and Technology‏‎ (3 revisions)
  203. Richard Harper‏‎ (3 revisions)
  204. Quentin Stafford-Fraser‏‎ (3 revisions)
  205. Matthew Jones‏‎ (3 revisions)
  206. Diptych‏‎ (3 revisions)
  207. Jeff Osborne‏‎ (3 revisions)
  208. Vania Sena‏‎ (3 revisions)
  209. Saeed Aghaee‏‎ (3 revisions)
  210. Blackwell-Leach Method‏‎ (3 revisions)
  211. Art-Science Research Fellowships‏‎ (3 revisions)
  212. Ralph Sommerer‏‎ (3 revisions)
  213. User-customisable systems to support disaster medicine in China‏‎ (3 revisions)
  214. Lionel Bently‏‎ (3 revisions)
  215. Rainbow Group‏‎ (2 revisions)
  216. Sebastian Macmillan‏‎ (2 revisions)
  217. Abigail Sellen‏‎ (2 revisions)
  218. African SMS Radio‏‎ (2 revisions)
  219. AmbITion‏‎ (2 revisions)
  220. Anil Madhavapeddy‏‎ (2 revisions)
  221. Evidence of Value: ICT in Arts and Humanities‏‎ (2 revisions)
  222. Dasher‏‎ (2 revisions)
  223. Natural History Museum‏‎ (2 revisions)
  224. Rhodri Karim‏‎ (2 revisions)
  225. Alex Oliver‏‎ (2 revisions)
  226. David Frohlich‏‎ (2 revisions)
  227. John Norman‏‎ (2 revisions)
  228. Simon Godsill‏‎ (2 revisions)
  229. Marking and Making‏‎ (2 revisions)
  230. Mick Gowar‏‎ (2 revisions)
  231. James Moultrie‏‎ (2 revisions)
  232. Doug Crawford-Brown‏‎ (2 revisions)
  233. Patterns of user experience‏‎ (2 revisions)
  234. Gerhard Fischer‏‎ (2 revisions)
  235. Verity Allan‏‎ (2 revisions)
  236. Catalyst Design‏‎ (2 revisions)
  237. Transition to electronic patient records‏‎ (2 revisions)
  238. Jem Rashbass‏‎ (2 revisions)
  239. Allegre Hadida‏‎ (2 revisions)
  240. Visual design constraint overlays‏‎ (2 revisions)
  241. Sam Staton‏‎ (2 revisions)
  242. Mobile mirror shopping assistant‏‎ (2 revisions)
  243. Michelle Rigozzi‏‎ (2 revisions)
  244. Rosaleen McCarthy‏‎ (2 revisions)
  245. Comparative expert practice‏‎ (2 revisions)
  246. Sally Jane Norman‏‎ (2 revisions)
  247. James Moore‏‎ (2 revisions)
  248. Performing with Gadgeteer‏‎ (2 revisions)
  249. Darwin Tree of Life‏‎ (2 revisions)
  250. David Scruton‏‎ (2 revisions)

View (previous 250 | next 250) (20 | 50 | 100 | 250 | 500)