Pages with the most revisions

From Crucible Network Research Projects
Jump to navigationJump to search

Showing below up to 250 results in range #21 to #270.

View ( | ) (20 | 50 | 100 | 250 | 500)

  1. Improcess‏‎ (9 revisions)
  2. Digital humanities (Crucible theme)‏‎ (9 revisions)
  3. Advice for those wishing to pursue a PhD in interdisciplinary design‏‎ (9 revisions)
  4. Critical theory (Alan Blackwell's research theme)‏‎ (8 revisions)
  5. Public value from technology in the arts‏‎ (8 revisions)
  6. Rachel Hewson‏‎ (8 revisions)
  7. Healthcare IT (Crucible theme)‏‎ (8 revisions)
  8. Alan Blackwell‏‎ (8 revisions)
  9. Paul Fletcher‏‎ (7 revisions)
  10. Energy use visualisation‏‎ (7 revisions)
  11. Bridging the Global Digital Divides‏‎ (7 revisions)
  12. David Good‏‎ (7 revisions)
  13. Policy research (Crucible theme)‏‎ (7 revisions)
  14. Digital culture in society‏‎ (7 revisions)
  15. Sam Aaron‏‎ (7 revisions)
  16. Interdisciplinarity and Innovation‏‎ (7 revisions)
  17. James Leach‏‎ (7 revisions)
  18. Choreography and Cognition‏‎ (7 revisions)
  19. Michal Kosinski‏‎ (7 revisions)
  20. Cultures of the Digital Economy‏‎ (7 revisions)
  21. ReadYourMeter.org‏‎ (7 revisions)
  22. Design, Theory and Society‏‎ (7 revisions)
  23. Sonic Pi‏‎ (7 revisions)
  24. Tangible, augmented and embodied interaction (Alan Blackwell's research theme)‏‎ (7 revisions)
  25. Interact Artists in Industry‏‎ (7 revisions)
  26. Undergraduate Research Opportunities Programme (UROP)‏‎ (7 revisions)
  27. Sharath Srinivasan‏‎ (7 revisions)
  28. Groups in academia‏‎ (7 revisions)
  29. Taxonomic inference‏‎ (7 revisions)
  30. Festival of Interactive Technology‏‎ (6 revisions)
  31. Critical Care for the World‏‎ (6 revisions)
  32. Gender in open source‏‎ (6 revisions)
  33. CRASSH‏‎ (6 revisions)
  34. Museums of the future‏‎ (6 revisions)
  35. Making mobiles tangible‏‎ (6 revisions)
  36. Boeing Corporation‏‎ (6 revisions)
  37. Art and science research fellowships‏‎ (6 revisions)
  38. Computer music (Alan Blackwell's research theme)‏‎ (6 revisions)
  39. Cheryl Frances-Hoad‏‎ (6 revisions)
  40. François Penz‏‎ (6 revisions)
  41. Choreographic Language Agent‏‎ (6 revisions)
  42. Psychology of Programming (Alan Blackwell's research theme)‏‎ (6 revisions)
  43. Martin Eppler‏‎ (6 revisions)
  44. Design education (Crucible theme)‏‎ (6 revisions)
  45. Strategy roadmaps‏‎ (5 revisions)
  46. Mark Blythe‏‎ (5 revisions)
  47. Rachel Drury‏‎ (5 revisions)
  48. The Junction‏‎ (5 revisions)
  49. Dance research (Crucible theme)‏‎ (5 revisions)
  50. Robert Aish‏‎ (5 revisions)
  51. Pension understanding‏‎ (5 revisions)
  52. Leo Impett‏‎ (5 revisions)
  53. Interdisciplinary collaboration (Crucible theme)‏‎ (5 revisions)
  54. Age and Meaning‏‎ (5 revisions)
  55. Information systems in critical care‏‎ (5 revisions)
  56. Motivation and behaviour change (Crucible theme)‏‎ (5 revisions)
  57. Talks.cam‏‎ (5 revisions)
  58. Andrew Lovett‏‎ (5 revisions)
  59. Anne Alexander‏‎ (5 revisions)
  60. Untraditional Folk‏‎ (5 revisions)
  61. Collaborative performance technology‏‎ (5 revisions)
  62. Computational aesthetics‏‎ (5 revisions)
  63. Architectural ethnography‏‎ (5 revisions)
  64. Graphic elicitation‏‎ (5 revisions)
  65. University of Sussex‏‎ (5 revisions)
  66. Social Property and New Social Forms‏‎ (5 revisions)
  67. CARET‏‎ (4 revisions)
  68. Computer Laboratory‏‎ (4 revisions)
  69. Coded Chimera‏‎ (4 revisions)
  70. Artefacts of Encounter‏‎ (4 revisions)
  71. HCI theory group‏‎ (4 revisions)
  72. Bill Nicholl‏‎ (4 revisions)
  73. Distributed working‏‎ (4 revisions)
  74. Nancy Foster‏‎ (4 revisions)
  75. Samuelle Carlson‏‎ (4 revisions)
  76. FrontlineSMS:Radio‏‎ (4 revisions)
  77. Emotion regulation therapies for people with cognitive impairment‏‎ (4 revisions)
  78. Sketching as a design practice (Crucible theme)‏‎ (4 revisions)
  79. Programming as craft‏‎ (4 revisions)
  80. Across Design‏‎ (4 revisions)
  81. Eugene Terentjev‏‎ (4 revisions)
  82. Online inter-faith dialogue platform‏‎ (4 revisions)
  83. Social Sensing‏‎ (4 revisions)
  84. Forensic speaker identification‏‎ (4 revisions)
  85. Technology for mental health‏‎ (4 revisions)
  86. Luke Church‏‎ (4 revisions)
  87. Interactive optical tags‏‎ (4 revisions)
  88. Design for humanitarian relief‏‎ (4 revisions)
  89. Tim Regan‏‎ (4 revisions)
  90. Creative Cambridge‏‎ (4 revisions)
  91. The Thinking Machine‏‎ (4 revisions)
  92. Visualisations for collaborative work‏‎ (4 revisions)
  93. Per Ola Kristensson‏‎ (4 revisions)
  94. Mary Jacobus‏‎ (4 revisions)
  95. Theories of function in design‏‎ (4 revisions)
  96. Tommy Nilsson‏‎ (4 revisions)
  97. Ed Champness‏‎ (4 revisions)
  98. Rob Phaal‏‎ (4 revisions)
  99. Martyn Dade-Robertson‏‎ (4 revisions)
  100. Representing Knowledge: Exploring Computational Techniques‏‎ (4 revisions)
  101. Collaboration and Ownership in the Digital Economy‏‎ (4 revisions)
  102. Bodies in Space‏‎ (4 revisions)
  103. Michael Nitsche‏‎ (4 revisions)
  104. Interdisciplinary Design (Alan Blackwell's research theme)‏‎ (4 revisions)
  105. Jennifer Rode‏‎ (4 revisions)
  106. Giles Lane‏‎ (4 revisions)
  107. Laura Beckwith‏‎ (4 revisions)
  108. Tom Ling‏‎ (4 revisions)
  109. Design approaches to drug discovery‏‎ (4 revisions)
  110. Alex Kuscher‏‎ (4 revisions)
  111. Flagship Retrofit‏‎ (4 revisions)
  112. Natasa Milic-Frayling‏‎ (4 revisions)
  113. Matthew Jones‏‎ (3 revisions)
  114. Diptych‏‎ (3 revisions)
  115. Vania Sena‏‎ (3 revisions)
  116. Quentin Stafford-Fraser‏‎ (3 revisions)
  117. Blackwell-Leach Method‏‎ (3 revisions)
  118. Art-Science Research Fellowships‏‎ (3 revisions)
  119. Ralph Sommerer‏‎ (3 revisions)
  120. User-customisable systems to support disaster medicine in China‏‎ (3 revisions)
  121. Eleanor Toye‏‎ (3 revisions)
  122. Alistair Stead‏‎ (3 revisions)
  123. I-Professor‏‎ (3 revisions)
  124. Artists in residence‏‎ (3 revisions)
  125. Norman MacLeod‏‎ (3 revisions)
  126. Video analytics‏‎ (3 revisions)
  127. Nick Rothwell‏‎ (3 revisions)
  128. Maureen Thomas‏‎ (3 revisions)
  129. Web content on small screens‏‎ (3 revisions)
  130. Shared agency in computer use‏‎ (3 revisions)
  131. Zoë Svendsen‏‎ (3 revisions)
  132. Tom Drummond‏‎ (3 revisions)
  133. ICT Methods Network‏‎ (3 revisions)
  134. LION Bioscience‏‎ (3 revisions)
  135. Christopher Newfield‏‎ (3 revisions)
  136. Jonathan Hook‏‎ (3 revisions)
  137. Isak Herman‏‎ (3 revisions)
  138. Phone programming for children‏‎ (3 revisions)
  139. Royal College of Art‏‎ (3 revisions)
  140. Hetty Blades‏‎ (3 revisions)
  141. Design agency and intent (Crucible theme)‏‎ (3 revisions)
  142. Internships in Cambridge‏‎ (3 revisions)
  143. Evolve a pet‏‎ (3 revisions)
  144. Alexa Wright‏‎ (3 revisions)
  145. Dave Gray‏‎ (3 revisions)
  146. LikeAudience.com‏‎ (3 revisions)
  147. Jeremy Baumberg‏‎ (3 revisions)
  148. Virtual Violins‏‎ (3 revisions)
  149. Subversion, Conversion and Development‏‎ (3 revisions)
  150. Cross-cultural partnership template‏‎ (3 revisions)
  151. Collusion‏‎ (3 revisions)
  152. Richard Harper‏‎ (3 revisions)
  153. Microsoft Research Cambridge‏‎ (3 revisions)
  154. Stephen Allott‏‎ (3 revisions)
  155. Jeff Osborne‏‎ (3 revisions)
  156. Performance capture‏‎ (3 revisions)
  157. Saeed Aghaee‏‎ (3 revisions)
  158. Triggered‏‎ (3 revisions)
  159. Re-use of clinical data‏‎ (3 revisions)
  160. Nicholas Cook‏‎ (3 revisions)
  161. Lionel Bently‏‎ (3 revisions)
  162. Alejandro Viñao‏‎ (3 revisions)
  163. Human participants in technology research‏‎ (3 revisions)
  164. Returning to online locations‏‎ (3 revisions)
  165. Performance Programming‏‎ (3 revisions)
  166. Cambridge-MIT Institute‏‎ (3 revisions)
  167. Ndiyo‏‎ (3 revisions)
  168. Emergence (Crucible theme)‏‎ (3 revisions)
  169. Business value of social networking‏‎ (3 revisions)
  170. Gender and domestic programming‏‎ (3 revisions)
  171. Drawing at a distance‏‎ (3 revisions)
  172. Barry Rogers‏‎ (3 revisions)
  173. Work Meets Life‏‎ (3 revisions)
  174. Digital Rosary‏‎ (3 revisions)
  175. Reactive materials in public art‏‎ (3 revisions)
  176. Jofish Kaye‏‎ (3 revisions)
  177. CREATOR network‏‎ (3 revisions)
  178. Melissa Pierce Murray‏‎ (3 revisions)
  179. Sally Fincher‏‎ (3 revisions)
  180. Interaction with musical polytempi‏‎ (3 revisions)
  181. Mobile cloud‏‎ (3 revisions)
  182. Ethics of big data‏‎ (3 revisions)
  183. Chris Nash‏‎ (3 revisions)
  184. Chris Sandbrook‏‎ (3 revisions)
  185. Humanities Computing for Languages (CHUCOL)‏‎ (3 revisions)
  186. Gavin Hogben‏‎ (3 revisions)
  187. Autopoiesis: novelty, meaning and value‏‎ (3 revisions)
  188. Matt Segall‏‎ (3 revisions)
  189. Theresa Marteau‏‎ (3 revisions)
  190. Visualise - Arts and Technology‏‎ (3 revisions)
  191. Digital music discussion group‏‎ (3 revisions)
  192. Humanities in the European Research Area‏‎ (3 revisions)
  193. Location-based IoT discourse‏‎ (3 revisions)
  194. Science Non-fiction and the Bottom Billion‏‎ (3 revisions)
  195. Design education in the UK and China‏‎ (2 revisions)
  196. Symbian‏‎ (2 revisions)
  197. Matthew Taylor‏‎ (2 revisions)
  198. Kath Powlesland‏‎ (2 revisions)
  199. Musical timbre-morphing‏‎ (2 revisions)
  200. Xerox EuroPARC‏‎ (2 revisions)
  201. Culture, Communication and Change‏‎ (2 revisions)
  202. Arlene Oak‏‎ (2 revisions)
  203. Scanning and feedback from chemical structures‏‎ (2 revisions)
  204. Kathleen Richardson‏‎ (2 revisions)
  205. Peter Tregear‏‎ (2 revisions)
  206. Seeing big data‏‎ (2 revisions)
  207. Teaching rhetoric with tangible interfaces‏‎ (2 revisions)
  208. Anne Anderson‏‎ (2 revisions)
  209. Affiliated Researchers‏‎ (2 revisions)
  210. Mobile Healthcare‏‎ (2 revisions)
  211. Clifford Dive‏‎ (2 revisions)
  212. Equitable knowledge infrastructure‏‎ (2 revisions)
  213. Scott Whittaker‏‎ (2 revisions)
  214. Button brain‏‎ (2 revisions)
  215. User interface design for bioinformatics‏‎ (2 revisions)
  216. Hugh Shercliff‏‎ (2 revisions)
  217. Peter Robinson‏‎ (2 revisions)
  218. Lorisa Dubuc‏‎ (2 revisions)
  219. African SMS Radio‏‎ (2 revisions)
  220. AmbITion‏‎ (2 revisions)
  221. Alan Jackson‏‎ (2 revisions)
  222. Dasher‏‎ (2 revisions)
  223. Rainbow Group‏‎ (2 revisions)
  224. Sebastian Macmillan‏‎ (2 revisions)
  225. Marking and Making‏‎ (2 revisions)
  226. Sonic Pi: Live & Coding‏‎ (2 revisions)
  227. Patterns of user experience‏‎ (2 revisions)
  228. Gerhard Fischer‏‎ (2 revisions)
  229. Karmen Guevara‏‎ (2 revisions)
  230. Louis Bucciarelli‏‎ (2 revisions)
  231. Transition to electronic patient records‏‎ (2 revisions)
  232. Jochen Runde‏‎ (2 revisions)
  233. John Rink‏‎ (2 revisions)
  234. Michelle Rigozzi‏‎ (2 revisions)
  235. Rosaleen McCarthy‏‎ (2 revisions)
  236. Aveva‏‎ (2 revisions)
  237. Comparative expert practice‏‎ (2 revisions)
  238. Sally Jane Norman‏‎ (2 revisions)
  239. Critical theory for HCI‏‎ (2 revisions)
  240. Defining Pi‏‎ (2 revisions)
  241. James Moore‏‎ (2 revisions)
  242. Richard Sharp‏‎ (2 revisions)
  243. Amiria Salmond‏‎ (2 revisions)
  244. Interdisciplinary Design Workshops‏‎ (2 revisions)
  245. Performing with Gadgeteer‏‎ (2 revisions)
  246. Alexander Simpson‏‎ (2 revisions)
  247. Visual design constraint overlays‏‎ (2 revisions)
  248. Cambridge Digital Humanities Initiative‏‎ (2 revisions)
  249. Mobile mirror shopping assistant‏‎ (2 revisions)
  250. Leverhulme Trust‏‎ (2 revisions)

View ( | ) (20 | 50 | 100 | 250 | 500)