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Ian is director of the Cambridge [[Centre for Music and Science]] * [[Virtuosity and flow in computer music]]

...rd]]. He was a member of an interdisciplinary cross-departmental [[digital music discussion group]] that predated the establishment of Crucible.

...rch project by Chris Nash has involved the development and deployment of a music synthesis tracker plugin, which has been instrumented to collect data on th

...for a site-specific sound installation that would demonstrate algorithmic music synthesis seeded by the path that visitors take through a formal garden. Th ...ive music that might result, check out the video of Dave Griffiths' techno music composing robots in al‐ jazari.

[[Crucible Theme: Music technology]] ...ten on stage, in front of an audience. Improcess is creating new tools for music programming.

Performance programming: digital and generative dance, music and art ...erimented with technical and compositional rules, including live coding of music (Sam Aaron) and generative dance (Jane Turner). The event included a 20 min

...man perception of musical sound. The results inform not only research into music perception and performance, but understanding of the perception of vibratio [[Crucible Theme: Music technology]]

Personal music research project by Computer Lab PhD students [[Ian Davies]] and [[Meredydd [[Music technology (Crucible theme)]]

Collaborative music/sculpture/dance art production including:

...raditional Folk]] project, undertaken during her musicology MPhil in the [[Music]] faculty, supervised by [[Nicholas Cook]] and [[Alan Blackwell]].

* [[Computer listens to robot music]]

...roject created an interactive model for analysing alternative-popular folk music with a research-based web community database. As an MPhil student in Music, [[Rachel Sweeney]] explored use of the Web as site for conjunction of acad

[[Music technology (Crucible theme)]]

...post funded by the [[Leverhulme Trust]], and was based at the [[Centre for Music and Science]].

[[Crucible Theme: Music technology]]

...by an organic and animate entity that dramatically conveys the mystery of music-making machines.

...of opera), director of studies, college lecture and affiliated lecturer in Music. Since returning to Australia, he has engaged in a number of entrepreneuria

...esearch Cambridge]] with [[Stuart Taylor]], working on a range of arts and music interfaces, as well as more conventional interaction design projects.

Triggered was a crossdisciplinary music, dance and technology performance created for the launch of the Digital Per

[[Crucible Theme: Music technology]]