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• Computer Music
  #REDIRECT [[Alan Blackwell Research Theme: Computer Music]]
  59 bytes (7 words) - 10:31, 26 August 2011
• Centre for Music and Science
  ...cience, directed by [[Ian Cross]], is based in the University of Cambridge music faculty.
  143 bytes (21 words) - 16:48, 28 August 2011
• Community music in the streaming age
  ...music/youth demographic that is generally regarded as shaping the recorded music industry.
  570 bytes (86 words) - 17:24, 24 May 2014
• Music technology (Crucible theme)
  ...cience and music, usually in collaboration with the Cambridge [[Centre for Music and Science]].
  840 bytes (101 words) - 07:17, 24 September 2011
• Crucible Theme: Music Technology
  #REDIRECT [[Crucible Theme: Music technology]]
  46 bytes (5 words) - 08:36, 14 August 2011
• Digital music discussion group
  .... In particular, although several of the members were actively involved in music research, the group intentionally met in "neutral premises" outside of any [[Crucible Theme: Music technology]]
  650 bytes (83 words) - 18:59, 3 September 2011
• Crucible Theme: Music technology
  #REDIRECT [[Music technology (Crucible theme)]]
  47 bytes (5 words) - 06:55, 1 September 2011
• Computer listens to robot music
  1 KB (178 words) - 08:07, 13 November 2014
• Alan Blackwell Research Theme: Computer Music
  #REDIRECT [[Computer music (Alan Blackwell's research theme)]]
  62 bytes (7 words) - 07:01, 1 September 2011
• Computer music (Alan Blackwell's research theme)
  http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music I work closely with the Cambridge [[Centre for Music and Science]], where I have co-supervised PhD and Masters students with [[I
  1 KB (153 words) - 07:01, 1 September 2011

Page text matches

• Music technology (Crucible theme)
  ...cience and music, usually in collaboration with the Cambridge [[Centre for Music and Science]].
  840 bytes (101 words) - 07:17, 24 September 2011
• Centre for Music and Science
  ...cience, directed by [[Ian Cross]], is based in the University of Cambridge music faculty.
  143 bytes (21 words) - 16:48, 28 August 2011
• Community music in the streaming age
  ...music/youth demographic that is generally regarded as shaping the recorded music industry.
  570 bytes (86 words) - 17:24, 24 May 2014
• Nick Collins
  ...He is now a lecturer at the [[University of Sussex]], where he directs the Music Informatics degree programme. He is a well-known exponent of Live Coding, a He is author of the popular textbook Introduction to Computer Music.
  699 bytes (99 words) - 13:59, 26 August 2011
• Nicholas Cook
  ...Multimedia'', The ''Cambridge History of Twentieth-Century Music'', and ''Music as Performance: New Perspectives Across the Disciplines''.
  478 bytes (58 words) - 07:26, 30 August 2011
• Bert Bongers
  ...[Rainbow Group]]. His main interest was in the development of new computer music interfaces. [{Crucible Theme: Computer music]]
  234 bytes (34 words) - 14:07, 30 August 2011
• Andrew Lovett
  * Music lecturer at [[CUMIS]] * Affiliated lecturer in the Cambridge [[Music Faculty]]
  420 bytes (53 words) - 08:53, 2 September 2011
• Alejandro Viñao
  ...USA and more recently at the [[Computer Laboratory]] and the [[Centre for Music and Science]] at Cambridge University. He is particularly interested in sou
  720 bytes (109 words) - 09:25, 2 September 2011
• Digital music discussion group
  .... In particular, although several of the members were actively involved in music research, the group intentionally met in "neutral premises" outside of any [[Crucible Theme: Music technology]]
  650 bytes (83 words) - 18:59, 3 September 2011
• Chris Nash
  ...computer use]] through the remote observation of digital composers using a music package developed by Chris. ...s PhD, he spent 6 months working as the first user interface specialist at music software company Steinberg.
  645 bytes (89 words) - 08:26, 12 October 2013
• Julio d'Escriván
  Julio is an electro-acoustic composer, and reader in Creative Music Technology at [[Anglia Ruskin University]]. [[Crucible Theme: Music Technology]]
  347 bytes (40 words) - 08:27, 30 August 2011
• Martin Dixon
  Martin is a lecturer in Music at Glasgow University. After a PhD in the [[Music]] faculty supervised by [[Ian Cross]], Martin completed the postgraduate Di
  281 bytes (42 words) - 19:01, 3 September 2011
• SoundCodr graphic score interpreter
  ...into music synthesis control parameters. Users can define their own novel music notation, then create a score and play it by pointing the mobile phone came [[Crucible Theme: Music technology]]
  657 bytes (99 words) - 13:34, 26 August 2011
• The Crackle
  ...in contemporary music within the context of a Faustian extension to school music curriculum.
  385 bytes (52 words) - 07:23, 16 August 2014
• Martin Rohrmeier
  ...nd jazz pianist. He completed a PhD in music cognition at the [[Centre for Music and Science]], supervised by [[Ian Cross]], and funded by [[Microsoft Resea
  344 bytes (49 words) - 15:01, 29 August 2011
• Computer music (Alan Blackwell's research theme)
  http://www.cl.cam.ac.uk/~afb21/publications/index.html?showonly=music I work closely with the Cambridge [[Centre for Music and Science]], where I have co-supervised PhD and Masters students with [[I
  1 KB (153 words) - 07:01, 1 September 2011
• Simon Godsill
  ...artment]]. He has contributed to several Crucible proposals in the area of music signal processing. [[Crucible Theme: Music technology]]
  331 bytes (41 words) - 07:23, 30 August 2011
• John Rink
  ...bridge Digital Humanities Initiative]], with a special interest in digital music editions.
  294 bytes (39 words) - 07:13, 31 August 2011
• Composer in residence - Alejandro Viñao
  working with [[ Ian Cross]] in the [[Centre for Music and Science]], and one funded by the [[Leverhulme Trust]], working with [[A [[Crucible Theme: Music technology]]
  537 bytes (78 words) - 07:07, 31 August 2011
• Matt Rogalsky
  ...val]], the [[Live Experimental Arts Performing Society]] and the [[Digital music discussion group]] that prepared ground for Crucible.
  402 bytes (57 words) - 06:53, 31 August 2011