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Showing below up to 250 results in range #61 to #310.
- CRASSH (6 revisions)
- Art and science research fellowships (6 revisions)
- Boeing Corporation (6 revisions)
- Computer music (Alan Blackwell's research theme) (6 revisions)
- Motivation and behaviour change (Crucible theme) (5 revisions)
- Talks.cam (5 revisions)
- Information systems in critical care (5 revisions)
- Andrew Lovett (5 revisions)
- Anne Alexander (5 revisions)
- Collaborative performance technology (5 revisions)
- Computational aesthetics (5 revisions)
- Untraditional Folk (5 revisions)
- Architectural ethnography (5 revisions)
- Graphic elicitation (5 revisions)
- Social Property and New Social Forms (5 revisions)
- Mark Blythe (5 revisions)
- University of Sussex (5 revisions)
- Dance research (Crucible theme) (5 revisions)
- Strategy roadmaps (5 revisions)
- The Junction (5 revisions)
- Rachel Drury (5 revisions)
- Leo Impett (5 revisions)
- Robert Aish (5 revisions)
- Pension understanding (5 revisions)
- Interdisciplinary collaboration (Crucible theme) (5 revisions)
- Age and Meaning (5 revisions)
- The Thinking Machine (4 revisions)
- Per Ola Kristensson (4 revisions)
- Visualisations for collaborative work (4 revisions)
- Tommy Nilsson (4 revisions)
- Mary Jacobus (4 revisions)
- Rob Phaal (4 revisions)
- Theories of function in design (4 revisions)
- Martyn Dade-Robertson (4 revisions)
- Representing Knowledge: Exploring Computational Techniques (4 revisions)
- Collaboration and Ownership in the Digital Economy (4 revisions)
- Ed Champness (4 revisions)
- Bodies in Space (4 revisions)
- Michael Nitsche (4 revisions)
- Jennifer Rode (4 revisions)
- Giles Lane (4 revisions)
- Laura Beckwith (4 revisions)
- Alex Kuscher (4 revisions)
- Tom Ling (4 revisions)
- Design approaches to drug discovery (4 revisions)
- Interdisciplinary Design (Alan Blackwell's research theme) (4 revisions)
- Natasa Milic-Frayling (4 revisions)
- Flagship Retrofit (4 revisions)
- Bill Nicholl (4 revisions)
- Coded Chimera (4 revisions)
- Samuelle Carlson (4 revisions)
- Artefacts of Encounter (4 revisions)
- HCI theory group (4 revisions)
- CARET (4 revisions)
- Computer Laboratory (4 revisions)
- Distributed working (4 revisions)
- Eugene Terentjev (4 revisions)
- Emotion regulation therapies for people with cognitive impairment (4 revisions)
- Nancy Foster (4 revisions)
- Programming as craft (4 revisions)
- Across Design (4 revisions)
- FrontlineSMS:Radio (4 revisions)
- Sketching as a design practice (Crucible theme) (4 revisions)
- Online inter-faith dialogue platform (4 revisions)
- Social Sensing (4 revisions)
- Interactive optical tags (4 revisions)
- Technology for mental health (4 revisions)
- Luke Church (4 revisions)
- Forensic speaker identification (4 revisions)
- Design for humanitarian relief (4 revisions)
- Tim Regan (4 revisions)
- Creative Cambridge (4 revisions)
- Richard Harper (3 revisions)
- Virtual Violins (3 revisions)
- Cross-cultural partnership template (3 revisions)
- Jeff Osborne (3 revisions)
- Saeed Aghaee (3 revisions)
- Stephen Allott (3 revisions)
- Performance capture (3 revisions)
- Collusion (3 revisions)
- Microsoft Research Cambridge (3 revisions)
- Lionel Bently (3 revisions)
- Triggered (3 revisions)
- Ndiyo (3 revisions)
- Emergence (Crucible theme) (3 revisions)
- Alejandro Viñao (3 revisions)
- Human participants in technology research (3 revisions)
- Returning to online locations (3 revisions)
- Performance Programming (3 revisions)
- Re-use of clinical data (3 revisions)
- Nicholas Cook (3 revisions)
- Business value of social networking (3 revisions)
- Cambridge-MIT Institute (3 revisions)
- Digital Rosary (3 revisions)
- Melissa Pierce Murray (3 revisions)
- Reactive materials in public art (3 revisions)
- Gender and domestic programming (3 revisions)
- Drawing at a distance (3 revisions)
- Barry Rogers (3 revisions)
- Work Meets Life (3 revisions)
- Sally Fincher (3 revisions)
- Jofish Kaye (3 revisions)
- Chris Sandbrook (3 revisions)
- CREATOR network (3 revisions)
- Ethics of big data (3 revisions)
- Matt Segall (3 revisions)
- Chris Nash (3 revisions)
- Theresa Marteau (3 revisions)
- Humanities in the European Research Area (3 revisions)
- Interaction with musical polytempi (3 revisions)
- Mobile cloud (3 revisions)
- Digital music discussion group (3 revisions)
- Location-based IoT discourse (3 revisions)
- Science Non-fiction and the Bottom Billion (3 revisions)
- Humanities Computing for Languages (CHUCOL) (3 revisions)
- Gavin Hogben (3 revisions)
- Autopoiesis: novelty, meaning and value (3 revisions)
- Visualise - Arts and Technology (3 revisions)
- Vania Sena (3 revisions)
- Quentin Stafford-Fraser (3 revisions)
- Matthew Jones (3 revisions)
- Diptych (3 revisions)
- Eleanor Toye (3 revisions)
- Art-Science Research Fellowships (3 revisions)
- Blackwell-Leach Method (3 revisions)
- Alistair Stead (3 revisions)
- Norman MacLeod (3 revisions)
- Nick Rothwell (3 revisions)
- Ralph Sommerer (3 revisions)
- User-customisable systems to support disaster medicine in China (3 revisions)
- Artists in residence (3 revisions)
- Video analytics (3 revisions)
- Maureen Thomas (3 revisions)
- Tom Drummond (3 revisions)
- I-Professor (3 revisions)
- LION Bioscience (3 revisions)
- Hetty Blades (3 revisions)
- ICT Methods Network (3 revisions)
- Isak Herman (3 revisions)
- Web content on small screens (3 revisions)
- Shared agency in computer use (3 revisions)
- Royal College of Art (3 revisions)
- Zoë Svendsen (3 revisions)
- Phone programming for children (3 revisions)
- Alexa Wright (3 revisions)
- Christopher Newfield (3 revisions)
- Jonathan Hook (3 revisions)
- LikeAudience.com (3 revisions)
- Subversion, Conversion and Development (3 revisions)
- Dave Gray (3 revisions)
- Jeremy Baumberg (3 revisions)
- Design agency and intent (Crucible theme) (3 revisions)
- Internships in Cambridge (3 revisions)
- Evolve a pet (3 revisions)
- Neil Dodgson (2 revisions)
- Palimpsest (2 revisions)
- Joint Urban Design Studio (2 revisions)
- VNC video wall (2 revisions)
- David Robey (2 revisions)
- Ian Davies (2 revisions)
- Standard reply to students writing from India to request an internship (2 revisions)
- Low literacy interaction (2 revisions)
- Critical coding (2 revisions)
- Robin Boast (2 revisions)
- Anglia Ruskin University (2 revisions)
- David MacKay (2 revisions)
- Energy market forecast (2 revisions)
- Critical design textbook (2 revisions)
- MyPersonality (2 revisions)
- Eco-Location (2 revisions)
- John Barker (2 revisions)
- Policy fellowships programme (2 revisions)
- Composer in residence - Alejandro Viñao (2 revisions)
- Lee Wilson (2 revisions)
- Peter Tyler (2 revisions)
- Bruce Gernand (2 revisions)
- Gaming and conservation (2 revisions)
- Automated performance accompaniment (2 revisions)
- Anne-Sophie Baets (2 revisions)
- Jeff Patmore (2 revisions)
- Centre for Intellectual Property and Information Law (2 revisions)
- The Mephistophone (2 revisions)
- Claudia Fritz (2 revisions)
- Laura James (2 revisions)
- Alex Oliver (2 revisions)
- Virtual theatre of the Early Modern period (2 revisions)
- Aptivate (2 revisions)
- Marilyn Strathern (2 revisions)
- Abigail Sellen (2 revisions)
- Anil Madhavapeddy (2 revisions)
- Party Line Detection (2 revisions)
- Rana El Kaliouby (2 revisions)
- Evidence of Value: ICT in Arts and Humanities (2 revisions)
- Natural History Museum (2 revisions)
- Lizzie Muller (2 revisions)
- Rhodri Karim (2 revisions)
- Jem Rashbass (2 revisions)
- Sonic Pi: Live and Coding (2 revisions)
- David Frohlich (2 revisions)
- Parsing life drawings (2 revisions)
- User experience of device interoperability (2 revisions)
- John Norman (2 revisions)
- Simon Godsill (2 revisions)
- Distributed design studio (2 revisions)
- Mick Gowar (2 revisions)
- James Moultrie (2 revisions)
- Digital currency for public good (2 revisions)
- Doug Crawford-Brown (2 revisions)
- Computer listens to robot music (2 revisions)
- Composer in residence - Cheryl Frances-Hoad (2 revisions)
- Verity Allan (2 revisions)
- Catalyst Design (2 revisions)
- William Box (2 revisions)
- Darwin Tree of Life (2 revisions)
- Satinder Gill (2 revisions)
- Allegre Hadida (2 revisions)
- Sam Staton (2 revisions)
- Maschinist Hopkins (2 revisions)
- Field customisation of software installations (2 revisions)
- Deborah Radasch (2 revisions)
- David Scruton (2 revisions)
- Empirical product aesthetics (2 revisions)
- Mark Palmer (2 revisions)
- Alison McDougall-Weil (2 revisions)
- Race the Wild (2 revisions)
- Eugene Giddens (2 revisions)
- Simon Laughlin (2 revisions)
- Bruno Monteferri (2 revisions)
- Jonathan Mackenzie (2 revisions)
- Online aerospace clubs (2 revisions)
- Software design for videogames (2 revisions)
- Adrian Poole (2 revisions)
- Inference and direct manipulation (2 revisions)
- Alice Street (2 revisions)
- Rory McCann (2 revisions)
- Customisation of electronic patient records (2 revisions)
- Jim Woodhouse (2 revisions)
- Hanna Wallach (2 revisions)
- Alain Vuylsteke (2 revisions)
- Alan Payne (2 revisions)
- Symbian (2 revisions)
- Empathy and programming (2 revisions)
- Matthew Taylor (2 revisions)
- Seamful museum experience (2 revisions)
- Kath Powlesland (2 revisions)
- Process plant exploration (2 revisions)
- Musical timbre-morphing (2 revisions)
- Peter Tregear (2 revisions)
- Xerox EuroPARC (2 revisions)
- Culture, Communication and Change (2 revisions)
