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Showing below up to 312 results in range #501 to #812.

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  1. Amiria Salmond‏‎ (2 revisions)
  2. Sonic Pi: Live & Coding‏‎ (2 revisions)
  3. Policy fellowships programme‏‎ (2 revisions)
  4. Palimpsest‏‎ (2 revisions)
  5. Process plant exploration‏‎ (2 revisions)
  6. Design in Science‏‎ (2 revisions)
  7. Xerox EuroPARC‏‎ (2 revisions)
  8. Gavin Burnage‏‎ (2 revisions)
  9. John Naughton‏‎ (2 revisions)
  10. Jochen Runde‏‎ (2 revisions)
  11. Customisation of electronic patient records‏‎ (2 revisions)
  12. Mark Palmer‏‎ (2 revisions)
  13. Sonic Pi: Live and Coding‏‎ (2 revisions)
  14. Interdisciplinary Design Workshops‏‎ (2 revisions)
  15. Satinder Gill‏‎ (2 revisions)
  16. Alan Jackson‏‎ (2 revisions)
  17. AtaXia‏‎ (2 revisions)
  18. Dan Greenfield‏‎ (2 revisions)
  19. Empirical product aesthetics‏‎ (2 revisions)
  20. Leverhulme Trust‏‎ (2 revisions)
  21. Critical coding‏‎ (2 revisions)
  22. VNC video wall‏‎ (2 revisions)
  23. CUMIS‏‎ (2 revisions)
  24. Neil Dodgson‏‎ (2 revisions)
  25. David Robey‏‎ (2 revisions)
  26. Kathleen Richardson‏‎ (2 revisions)
  27. Party Line Detection‏‎ (2 revisions)
  28. Deborah Radasch‏‎ (2 revisions)
  29. Seamful museum experience‏‎ (2 revisions)
  30. Gerhard Fischer‏‎ (2 revisions)
  31. Lorisa Dubuc‏‎ (2 revisions)
  32. Rainbow Group‏‎ (2 revisions)
  33. Peter Tyler‏‎ (2 revisions)
  34. Anne Anderson‏‎ (2 revisions)
  35. Simon Laughlin‏‎ (2 revisions)
  36. David Scruton‏‎ (2 revisions)
  37. Marilyn Strathern‏‎ (2 revisions)
  38. Brian Moore‏‎ (2 revisions)
  39. Sam Staton‏‎ (2 revisions)
  40. Alice Street‏‎ (2 revisions)
  41. Dasher‏‎ (2 revisions)
  42. Jonathan Mackenzie‏‎ (2 revisions)
  43. Scanning and feedback from chemical structures‏‎ (2 revisions)
  44. Rosaleen McCarthy‏‎ (2 revisions)
  45. Affiliated Researchers‏‎ (2 revisions)
  46. Clifford Dive‏‎ (2 revisions)
  47. Standard reply to students writing from India to request an internship‏‎ (2 revisions)
  48. Anglia Ruskin University‏‎ (2 revisions)
  49. Sebastian Macmillan‏‎ (2 revisions)
  50. Centre for Intellectual Property and Information Law‏‎ (2 revisions)
  51. Lee Wilson‏‎ (2 revisions)
  52. Abigail Sellen‏‎ (2 revisions)
  53. Anne-Sophie Baets‏‎ (2 revisions)
  54. Distributed design studio‏‎ (2 revisions)
  55. Anil Madhavapeddy‏‎ (2 revisions)
  56. Richard Sharp‏‎ (2 revisions)
  57. Mobile mirror shopping assistant‏‎ (2 revisions)
  58. Joint Urban Design Studio‏‎ (2 revisions)
  59. Alexander Simpson‏‎ (2 revisions)
  60. Alain Vuylsteke‏‎ (2 revisions)
  61. William Box‏‎ (2 revisions)
  62. Mobile Healthcare‏‎ (2 revisions)
  63. Hanna Wallach‏‎ (2 revisions)
  64. Alison McDougall-Weil‏‎ (2 revisions)
  65. Marking and Making‏‎ (2 revisions)
  66. Automated performance accompaniment‏‎ (2 revisions)
  67. James Scott‏‎ (2 revisions)
  68. Peter Tregear‏‎ (2 revisions)
  69. Symbian‏‎ (2 revisions)
  70. The IQ of crowds‏‎ (2 revisions)
  71. Darwin Tree of Life‏‎ (2 revisions)
  72. Button brain‏‎ (2 revisions)
  73. Tone row explorer‏‎ (2 revisions)
  74. Transition to electronic patient records‏‎ (2 revisions)
  75. Peter Robinson‏‎ (2 revisions)
  76. Visual design constraint overlays‏‎ (2 revisions)
  77. Software design for videogames‏‎ (2 revisions)
  78. AmbITion‏‎ (2 revisions)
  79. Allegre Hadida‏‎ (2 revisions)
  80. Qin Jingyan‏‎ (2 revisions)
  81. Race the Wild‏‎ (2 revisions)
  82. Maschinist Hopkins‏‎ (2 revisions)
  83. MyPersonality‏‎ (2 revisions)
  84. Teaching rhetoric with tangible interfaces‏‎ (2 revisions)
  85. Equitable knowledge infrastructure‏‎ (2 revisions)
  86. Patterns of user experience‏‎ (2 revisions)
  87. Rana El Kaliouby‏‎ (2 revisions)
  88. Louis Bucciarelli‏‎ (2 revisions)
  89. Simon Godsill‏‎ (2 revisions)
  90. Energy market forecast‏‎ (2 revisions)
  91. Design education in the UK and China‏‎ (2 revisions)
  92. Evidence of Value: ICT in Arts and Humanities‏‎ (2 revisions)
  93. Aveva‏‎ (2 revisions)
  94. Online aerospace clubs‏‎ (2 revisions)
  95. Karmen Guevara‏‎ (2 revisions)
  96. Musical timbre-morphing‏‎ (2 revisions)
  97. Jeff Patmore‏‎ (2 revisions)
  98. Gaming and conservation‏‎ (2 revisions)
  99. Dave Gray‏‎ (3 revisions)
  100. Reactive materials in public art‏‎ (3 revisions)
  101. Stephen Allott‏‎ (3 revisions)
  102. Design agency and intent (Crucible theme)‏‎ (3 revisions)
  103. Phone programming for children‏‎ (3 revisions)
  104. Alistair Stead‏‎ (3 revisions)
  105. Maureen Thomas‏‎ (3 revisions)
  106. Emergence (Crucible theme)‏‎ (3 revisions)
  107. I-Professor‏‎ (3 revisions)
  108. Humanities in the European Research Area‏‎ (3 revisions)
  109. Blackwell-Leach Method‏‎ (3 revisions)
  110. Digital Rosary‏‎ (3 revisions)
  111. Gender and domestic programming‏‎ (3 revisions)
  112. Ethics of big data‏‎ (3 revisions)
  113. Nicholas Cook‏‎ (3 revisions)
  114. Collusion‏‎ (3 revisions)
  115. LikeAudience.com‏‎ (3 revisions)
  116. Barry Rogers‏‎ (3 revisions)
  117. Business value of social networking‏‎ (3 revisions)
  118. Eleanor Toye‏‎ (3 revisions)
  119. Nick Rothwell‏‎ (3 revisions)
  120. Shared agency in computer use‏‎ (3 revisions)
  121. Jonathan Hook‏‎ (3 revisions)
  122. Microsoft Research Cambridge‏‎ (3 revisions)
  123. Interaction with musical polytempi‏‎ (3 revisions)
  124. Jofish Kaye‏‎ (3 revisions)
  125. CREATOR network‏‎ (3 revisions)
  126. Quentin Stafford-Fraser‏‎ (3 revisions)
  127. Triggered‏‎ (3 revisions)
  128. LION Bioscience‏‎ (3 revisions)
  129. Alejandro Viñao‏‎ (3 revisions)
  130. Hetty Blades‏‎ (3 revisions)
  131. Melissa Pierce Murray‏‎ (3 revisions)
  132. User-customisable systems to support disaster medicine in China‏‎ (3 revisions)
  133. Drawing at a distance‏‎ (3 revisions)
  134. Internships in Cambridge‏‎ (3 revisions)
  135. Sally Fincher‏‎ (3 revisions)
  136. Norman MacLeod‏‎ (3 revisions)
  137. Ndiyo‏‎ (3 revisions)
  138. Virtual Violins‏‎ (3 revisions)
  139. Jeremy Baumberg‏‎ (3 revisions)
  140. Zoë Svendsen‏‎ (3 revisions)
  141. Art-Science Research Fellowships‏‎ (3 revisions)
  142. Cross-cultural partnership template‏‎ (3 revisions)
  143. Science Non-fiction and the Bottom Billion‏‎ (3 revisions)
  144. Artists in residence‏‎ (3 revisions)
  145. Cambridge-MIT Institute‏‎ (3 revisions)
  146. Performance capture‏‎ (3 revisions)
  147. Alexa Wright‏‎ (3 revisions)
  148. Performance Programming‏‎ (3 revisions)
  149. Theresa Marteau‏‎ (3 revisions)
  150. Web content on small screens‏‎ (3 revisions)
  151. Gavin Hogben‏‎ (3 revisions)
  152. Evolve a pet‏‎ (3 revisions)
  153. Human participants in technology research‏‎ (3 revisions)
  154. Diptych‏‎ (3 revisions)
  155. Royal College of Art‏‎ (3 revisions)
  156. Christopher Newfield‏‎ (3 revisions)
  157. Saeed Aghaee‏‎ (3 revisions)
  158. Returning to online locations‏‎ (3 revisions)
  159. Re-use of clinical data‏‎ (3 revisions)
  160. Tom Drummond‏‎ (3 revisions)
  161. Lionel Bently‏‎ (3 revisions)
  162. Mobile cloud‏‎ (3 revisions)
  163. Visualise - Arts and Technology‏‎ (3 revisions)
  164. Location-based IoT discourse‏‎ (3 revisions)
  165. Chris Nash‏‎ (3 revisions)
  166. Matt Segall‏‎ (3 revisions)
  167. Isak Herman‏‎ (3 revisions)
  168. Autopoiesis: novelty, meaning and value‏‎ (3 revisions)
  169. Vania Sena‏‎ (3 revisions)
  170. ICT Methods Network‏‎ (3 revisions)
  171. Subversion, Conversion and Development‏‎ (3 revisions)
  172. Chris Sandbrook‏‎ (3 revisions)
  173. Video analytics‏‎ (3 revisions)
  174. Work Meets Life‏‎ (3 revisions)
  175. Matthew Jones‏‎ (3 revisions)
  176. Richard Harper‏‎ (3 revisions)
  177. Ralph Sommerer‏‎ (3 revisions)
  178. Digital music discussion group‏‎ (3 revisions)
  179. Humanities Computing for Languages (CHUCOL)‏‎ (3 revisions)
  180. Jeff Osborne‏‎ (3 revisions)
  181. Visualisations for collaborative work‏‎ (4 revisions)
  182. Programming as craft‏‎ (4 revisions)
  183. Across Design‏‎ (4 revisions)
  184. Laura Beckwith‏‎ (4 revisions)
  185. The Thinking Machine‏‎ (4 revisions)
  186. Representing Knowledge: Exploring Computational Techniques‏‎ (4 revisions)
  187. Sketching as a design practice (Crucible theme)‏‎ (4 revisions)
  188. CARET‏‎ (4 revisions)
  189. Rob Phaal‏‎ (4 revisions)
  190. Tommy Nilsson‏‎ (4 revisions)
  191. Collaboration and Ownership in the Digital Economy‏‎ (4 revisions)
  192. Bodies in Space‏‎ (4 revisions)
  193. Nancy Foster‏‎ (4 revisions)
  194. Mary Jacobus‏‎ (4 revisions)
  195. Michael Nitsche‏‎ (4 revisions)
  196. Emotion regulation therapies for people with cognitive impairment‏‎ (4 revisions)
  197. Luke Church‏‎ (4 revisions)
  198. Coded Chimera‏‎ (4 revisions)
  199. Interdisciplinary Design (Alan Blackwell's research theme)‏‎ (4 revisions)
  200. Creative Cambridge‏‎ (4 revisions)
  201. Samuelle Carlson‏‎ (4 revisions)
  202. Computer Laboratory‏‎ (4 revisions)
  203. Alex Kuscher‏‎ (4 revisions)
  204. Tim Regan‏‎ (4 revisions)
  205. Tom Ling‏‎ (4 revisions)
  206. Technology for mental health‏‎ (4 revisions)
  207. Theories of function in design‏‎ (4 revisions)
  208. Natasa Milic-Frayling‏‎ (4 revisions)
  209. Giles Lane‏‎ (4 revisions)
  210. Forensic speaker identification‏‎ (4 revisions)
  211. HCI theory group‏‎ (4 revisions)
  212. Flagship Retrofit‏‎ (4 revisions)
  213. Per Ola Kristensson‏‎ (4 revisions)
  214. Online inter-faith dialogue platform‏‎ (4 revisions)
  215. FrontlineSMS:Radio‏‎ (4 revisions)
  216. Jennifer Rode‏‎ (4 revisions)
  217. Design approaches to drug discovery‏‎ (4 revisions)
  218. Bill Nicholl‏‎ (4 revisions)
  219. Interactive optical tags‏‎ (4 revisions)
  220. Distributed working‏‎ (4 revisions)
  221. Social Sensing‏‎ (4 revisions)
  222. Design for humanitarian relief‏‎ (4 revisions)
  223. Ed Champness‏‎ (4 revisions)
  224. Martyn Dade-Robertson‏‎ (4 revisions)
  225. Artefacts of Encounter‏‎ (4 revisions)
  226. Eugene Terentjev‏‎ (4 revisions)
  227. Anne Alexander‏‎ (5 revisions)
  228. Mark Blythe‏‎ (5 revisions)
  229. Graphic elicitation‏‎ (5 revisions)
  230. Untraditional Folk‏‎ (5 revisions)
  231. Computational aesthetics‏‎ (5 revisions)
  232. Information systems in critical care‏‎ (5 revisions)
  233. Dance research (Crucible theme)‏‎ (5 revisions)
  234. Collaborative performance technology‏‎ (5 revisions)
  235. Rachel Drury‏‎ (5 revisions)
  236. Talks.cam‏‎ (5 revisions)
  237. University of Sussex‏‎ (5 revisions)
  238. Age and Meaning‏‎ (5 revisions)
  239. Interdisciplinary collaboration (Crucible theme)‏‎ (5 revisions)
  240. Andrew Lovett‏‎ (5 revisions)
  241. Leo Impett‏‎ (5 revisions)
  242. Strategy roadmaps‏‎ (5 revisions)
  243. Architectural ethnography‏‎ (5 revisions)
  244. Motivation and behaviour change (Crucible theme)‏‎ (5 revisions)
  245. Robert Aish‏‎ (5 revisions)
  246. The Junction‏‎ (5 revisions)
  247. Pension understanding‏‎ (5 revisions)
  248. Social Property and New Social Forms‏‎ (5 revisions)
  249. Martin Eppler‏‎ (6 revisions)
  250. Gender in open source‏‎ (6 revisions)
  251. Boeing Corporation‏‎ (6 revisions)
  252. Making mobiles tangible‏‎ (6 revisions)
  253. Art and science research fellowships‏‎ (6 revisions)
  254. Festival of Interactive Technology‏‎ (6 revisions)
  255. Cheryl Frances-Hoad‏‎ (6 revisions)
  256. Psychology of Programming (Alan Blackwell's research theme)‏‎ (6 revisions)
  257. Computer music (Alan Blackwell's research theme)‏‎ (6 revisions)
  258. CRASSH‏‎ (6 revisions)
  259. Critical Care for the World‏‎ (6 revisions)
  260. Design education (Crucible theme)‏‎ (6 revisions)
  261. Museums of the future‏‎ (6 revisions)
  262. Choreographic Language Agent‏‎ (6 revisions)
  263. François Penz‏‎ (6 revisions)
  264. David Good‏‎ (7 revisions)
  265. Sam Aaron‏‎ (7 revisions)
  266. Policy research (Crucible theme)‏‎ (7 revisions)
  267. Digital culture in society‏‎ (7 revisions)
  268. Interact Artists in Industry‏‎ (7 revisions)
  269. Bridging the Global Digital Divides‏‎ (7 revisions)
  270. Taxonomic inference‏‎ (7 revisions)
  271. Tangible, augmented and embodied interaction (Alan Blackwell's research theme)‏‎ (7 revisions)
  272. Energy use visualisation‏‎ (7 revisions)
  273. Choreography and Cognition‏‎ (7 revisions)
  274. ReadYourMeter.org‏‎ (7 revisions)
  275. Cultures of the Digital Economy‏‎ (7 revisions)
  276. Paul Fletcher‏‎ (7 revisions)
  277. James Leach‏‎ (7 revisions)
  278. Interdisciplinarity and Innovation‏‎ (7 revisions)
  279. Sonic Pi‏‎ (7 revisions)
  280. Groups in academia‏‎ (7 revisions)
  281. Design, Theory and Society‏‎ (7 revisions)
  282. Michal Kosinski‏‎ (7 revisions)
  283. Sharath Srinivasan‏‎ (7 revisions)
  284. Undergraduate Research Opportunities Programme (UROP)‏‎ (7 revisions)
  285. Alan Blackwell‏‎ (8 revisions)
  286. Public value from technology in the arts‏‎ (8 revisions)
  287. Critical theory (Alan Blackwell's research theme)‏‎ (8 revisions)
  288. Rachel Hewson‏‎ (8 revisions)
  289. Healthcare IT (Crucible theme)‏‎ (8 revisions)
  290. Jussi Parikka‏‎ (9 revisions)
  291. New Technology Arts Fellowships‏‎ (9 revisions)
  292. Digital humanities (Crucible theme)‏‎ (9 revisions)
  293. New Century Cities‏‎ (9 revisions)
  294. Improcess‏‎ (9 revisions)
  295. David Coyle‏‎ (9 revisions)
  296. Design intent‏‎ (9 revisions)
  297. Advice for those wishing to pursue a PhD in interdisciplinary design‏‎ (9 revisions)
  298. Jane Turner‏‎ (10 revisions)
  299. Inference Group Reunion‏‎ (10 revisions)
  300. Bronac Ferran‏‎ (10 revisions)
  301. Cecily Morrison‏‎ (11 revisions)
  302. Nathan Crilly‏‎ (11 revisions)
  303. Music technology (Crucible theme)‏‎ (12 revisions)
  304. End-user development (Alan Blackwell's research theme)‏‎ (12 revisions)
  305. Undergraduate research (Crucible theme)‏‎ (13 revisions)
  306. Visual representation (Alan Blackwell's research theme)‏‎ (13 revisions)
  307. Ian Cross‏‎ (14 revisions)
  308. Standard reply to students writing to request an internship‏‎ (15 revisions)
  309. Group design projects‏‎ (26 revisions)
  310. Crucible Network Members‏‎ (26 revisions)
  311. Applying to work with Alan Blackwell‏‎ (38 revisions)
  312. Main Page‏‎ (109 revisions)

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