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Showing below up to 500 results in range #11 to #510.
- Cecily Morrison (11 revisions)
- Nathan Crilly (11 revisions)
- Inference Group Reunion (10 revisions)
- Jane Turner (10 revisions)
- Bronac Ferran (10 revisions)
- Improcess (9 revisions)
- Design intent (9 revisions)
- David Coyle (9 revisions)
- Digital humanities (Crucible theme) (9 revisions)
- Advice for those wishing to pursue a PhD in interdisciplinary design (9 revisions)
- New Century Cities (9 revisions)
- Jussi Parikka (9 revisions)
- New Technology Arts Fellowships (9 revisions)
- Alan Blackwell (8 revisions)
- Critical theory (Alan Blackwell's research theme) (8 revisions)
- Public value from technology in the arts (8 revisions)
- Rachel Hewson (8 revisions)
- Healthcare IT (Crucible theme) (8 revisions)
- Cultures of the Digital Economy (7 revisions)
- James Leach (7 revisions)
- Choreography and Cognition (7 revisions)
- ReadYourMeter.org (7 revisions)
- Design, Theory and Society (7 revisions)
- Michal Kosinski (7 revisions)
- Sonic Pi (7 revisions)
- Tangible, augmented and embodied interaction (Alan Blackwell's research theme) (7 revisions)
- Interact Artists in Industry (7 revisions)
- Undergraduate Research Opportunities Programme (UROP) (7 revisions)
- Groups in academia (7 revisions)
- Taxonomic inference (7 revisions)
- Sharath Srinivasan (7 revisions)
- Energy use visualisation (7 revisions)
- Bridging the Global Digital Divides (7 revisions)
- Paul Fletcher (7 revisions)
- David Good (7 revisions)
- Policy research (Crucible theme) (7 revisions)
- Digital culture in society (7 revisions)
- Sam Aaron (7 revisions)
- Interdisciplinarity and Innovation (7 revisions)
- François Penz (6 revisions)
- Choreographic Language Agent (6 revisions)
- Psychology of Programming (Alan Blackwell's research theme) (6 revisions)
- Martin Eppler (6 revisions)
- Design education (Crucible theme) (6 revisions)
- Festival of Interactive Technology (6 revisions)
- Critical Care for the World (6 revisions)
- Gender in open source (6 revisions)
- Making mobiles tangible (6 revisions)
- CRASSH (6 revisions)
- Museums of the future (6 revisions)
- Art and science research fellowships (6 revisions)
- Boeing Corporation (6 revisions)
- Computer music (Alan Blackwell's research theme) (6 revisions)
- Cheryl Frances-Hoad (6 revisions)
- Andrew Lovett (5 revisions)
- Anne Alexander (5 revisions)
- Computational aesthetics (5 revisions)
- Untraditional Folk (5 revisions)
- Collaborative performance technology (5 revisions)
- Architectural ethnography (5 revisions)
- Graphic elicitation (5 revisions)
- Social Property and New Social Forms (5 revisions)
- University of Sussex (5 revisions)
- Strategy roadmaps (5 revisions)
- Rachel Drury (5 revisions)
- The Junction (5 revisions)
- Mark Blythe (5 revisions)
- Robert Aish (5 revisions)
- Pension understanding (5 revisions)
- Dance research (Crucible theme) (5 revisions)
- Leo Impett (5 revisions)
- Interdisciplinary collaboration (Crucible theme) (5 revisions)
- Age and Meaning (5 revisions)
- Motivation and behaviour change (Crucible theme) (5 revisions)
- Talks.cam (5 revisions)
- Information systems in critical care (5 revisions)
- Interactive optical tags (4 revisions)
- Visualisations for collaborative work (4 revisions)
- Mary Jacobus (4 revisions)
- Theories of function in design (4 revisions)
- Martyn Dade-Robertson (4 revisions)
- Representing Knowledge: Exploring Computational Techniques (4 revisions)
- Per Ola Kristensson (4 revisions)
- Collaboration and Ownership in the Digital Economy (4 revisions)
- Ed Champness (4 revisions)
- Bodies in Space (4 revisions)
- Michael Nitsche (4 revisions)
- Tommy Nilsson (4 revisions)
- Tom Ling (4 revisions)
- Design approaches to drug discovery (4 revisions)
- Interdisciplinary Design (Alan Blackwell's research theme) (4 revisions)
- Rob Phaal (4 revisions)
- Jennifer Rode (4 revisions)
- Giles Lane (4 revisions)
- Laura Beckwith (4 revisions)
- Flagship Retrofit (4 revisions)
- Natasa Milic-Frayling (4 revisions)
- Artefacts of Encounter (4 revisions)
- HCI theory group (4 revisions)
- Alex Kuscher (4 revisions)
- CARET (4 revisions)
- Computer Laboratory (4 revisions)
- Coded Chimera (4 revisions)
- Nancy Foster (4 revisions)
- Distributed working (4 revisions)
- Across Design (4 revisions)
- FrontlineSMS:Radio (4 revisions)
- Sketching as a design practice (Crucible theme) (4 revisions)
- Programming as craft (4 revisions)
- Bill Nicholl (4 revisions)
- Online inter-faith dialogue platform (4 revisions)
- Samuelle Carlson (4 revisions)
- Eugene Terentjev (4 revisions)
- Emotion regulation therapies for people with cognitive impairment (4 revisions)
- Social Sensing (4 revisions)
- Technology for mental health (4 revisions)
- Luke Church (4 revisions)
- Forensic speaker identification (4 revisions)
- Tim Regan (4 revisions)
- Creative Cambridge (4 revisions)
- Design for humanitarian relief (4 revisions)
- The Thinking Machine (4 revisions)
- Performance capture (3 revisions)
- Collusion (3 revisions)
- Microsoft Research Cambridge (3 revisions)
- Alexa Wright (3 revisions)
- Stephen Allott (3 revisions)
- LikeAudience.com (3 revisions)
- Subversion, Conversion and Development (3 revisions)
- Triggered (3 revisions)
- Alejandro Viñao (3 revisions)
- Human participants in technology research (3 revisions)
- Richard Harper (3 revisions)
- Returning to online locations (3 revisions)
- Performance Programming (3 revisions)
- Re-use of clinical data (3 revisions)
- Nicholas Cook (3 revisions)
- Jeff Osborne (3 revisions)
- Saeed Aghaee (3 revisions)
- Cambridge-MIT Institute (3 revisions)
- Reactive materials in public art (3 revisions)
- Gender and domestic programming (3 revisions)
- Drawing at a distance (3 revisions)
- Barry Rogers (3 revisions)
- Work Meets Life (3 revisions)
- Lionel Bently (3 revisions)
- Sally Fincher (3 revisions)
- Ndiyo (3 revisions)
- Emergence (Crucible theme) (3 revisions)
- Jofish Kaye (3 revisions)
- CREATOR network (3 revisions)
- Business value of social networking (3 revisions)
- Interaction with musical polytempi (3 revisions)
- Mobile cloud (3 revisions)
- Ethics of big data (3 revisions)
- Digital Rosary (3 revisions)
- Chris Nash (3 revisions)
- Digital music discussion group (3 revisions)
- Location-based IoT discourse (3 revisions)
- Science Non-fiction and the Bottom Billion (3 revisions)
- Humanities Computing for Languages (CHUCOL) (3 revisions)
- Gavin Hogben (3 revisions)
- Melissa Pierce Murray (3 revisions)
- Autopoiesis: novelty, meaning and value (3 revisions)
- Visualise - Arts and Technology (3 revisions)
- Quentin Stafford-Fraser (3 revisions)
- Matthew Jones (3 revisions)
- Diptych (3 revisions)
- Chris Sandbrook (3 revisions)
- Vania Sena (3 revisions)
- Matt Segall (3 revisions)
- Theresa Marteau (3 revisions)
- Blackwell-Leach Method (3 revisions)
- Humanities in the European Research Area (3 revisions)
- Art-Science Research Fellowships (3 revisions)
- Ralph Sommerer (3 revisions)
- User-customisable systems to support disaster medicine in China (3 revisions)
- Maureen Thomas (3 revisions)
- I-Professor (3 revisions)
- Artists in residence (3 revisions)
- Video analytics (3 revisions)
- ICT Methods Network (3 revisions)
- Eleanor Toye (3 revisions)
- Web content on small screens (3 revisions)
- Shared agency in computer use (3 revisions)
- Zoë Svendsen (3 revisions)
- Alistair Stead (3 revisions)
- Christopher Newfield (3 revisions)
- Jonathan Hook (3 revisions)
- Norman MacLeod (3 revisions)
- Nick Rothwell (3 revisions)
- Phone programming for children (3 revisions)
- Dave Gray (3 revisions)
- Jeremy Baumberg (3 revisions)
- Design agency and intent (Crucible theme) (3 revisions)
- Internships in Cambridge (3 revisions)
- Evolve a pet (3 revisions)
- Tom Drummond (3 revisions)
- LION Bioscience (3 revisions)
- Isak Herman (3 revisions)
- Virtual Violins (3 revisions)
- Cross-cultural partnership template (3 revisions)
- Royal College of Art (3 revisions)
- Hetty Blades (3 revisions)
- David MacKay (2 revisions)
- Energy market forecast (2 revisions)
- Design in Science (2 revisions)
- Critical design textbook (2 revisions)
- MyPersonality (2 revisions)
- Dan Greenfield (2 revisions)
- Eco-Location (2 revisions)
- Policy fellowships programme (2 revisions)
- European Storytelling Archive (2 revisions)
- Robin Boast (2 revisions)
- Anglia Ruskin University (2 revisions)
- Brian Moore (2 revisions)
- James Scott (2 revisions)
- Gaming and conservation (2 revisions)
- Automated performance accompaniment (2 revisions)
- John Naughton (2 revisions)
- Jeff Patmore (2 revisions)
- The Mephistophone (2 revisions)
- Gavin Burnage (2 revisions)
- Composer in residence - Alejandro Viñao (2 revisions)
- AtaXia (2 revisions)
- Tone row explorer (2 revisions)
- Bruce Gernand (2 revisions)
- Cecilia Mascolo (2 revisions)
- Marilyn Strathern (2 revisions)
- Party Line Detection (2 revisions)
- Rana El Kaliouby (2 revisions)
- David Robey (2 revisions)
- Lizzie Muller (2 revisions)
- Ian Davies (2 revisions)
- Virtual theatre of the Early Modern period (2 revisions)
- Aptivate (2 revisions)
- Neil Dodgson (2 revisions)
- Distributed design studio (2 revisions)
- Digital currency for public good (2 revisions)
- Computer listens to robot music (2 revisions)
- Composer in residence - Cheryl Frances-Hoad (2 revisions)
- William Box (2 revisions)
- Sonic Pi: Live and Coding (2 revisions)
- Parsing life drawings (2 revisions)
- John Barker (2 revisions)
- User experience of device interoperability (2 revisions)
- Maschinist Hopkins (2 revisions)
- Lee Wilson (2 revisions)
- Peter Tyler (2 revisions)
- Anne-Sophie Baets (2 revisions)
- Field customisation of software installations (2 revisions)
- Centre for Intellectual Property and Information Law (2 revisions)
- Satinder Gill (2 revisions)
- Claudia Fritz (2 revisions)
- Laura James (2 revisions)
- Race the Wild (2 revisions)
- Eugene Giddens (2 revisions)
- Abigail Sellen (2 revisions)
- Bruno Monteferri (2 revisions)
- Online aerospace clubs (2 revisions)
- Anil Madhavapeddy (2 revisions)
- Evidence of Value: ICT in Arts and Humanities (2 revisions)
- Natural History Museum (2 revisions)
- Rhodri Karim (2 revisions)
- Alex Oliver (2 revisions)
- Jem Rashbass (2 revisions)
- David Frohlich (2 revisions)
- Inference and direct manipulation (2 revisions)
- John Norman (2 revisions)
- Simon Godsill (2 revisions)
- Rory McCann (2 revisions)
- Customisation of electronic patient records (2 revisions)
- Jim Woodhouse (2 revisions)
- Mick Gowar (2 revisions)
- Hanna Wallach (2 revisions)
- James Moultrie (2 revisions)
- Doug Crawford-Brown (2 revisions)
- Verity Allan (2 revisions)
- Catalyst Design (2 revisions)
- Darwin Tree of Life (2 revisions)
- Allegre Hadida (2 revisions)
- Seamful museum experience (2 revisions)
- Sam Staton (2 revisions)
- Process plant exploration (2 revisions)
- Alain Vuylsteke (2 revisions)
- Alan Payne (2 revisions)
- Empathy and programming (2 revisions)
- Musical timbre-morphing (2 revisions)
- Deborah Radasch (2 revisions)
- David Scruton (2 revisions)
- Empirical product aesthetics (2 revisions)
- Xerox EuroPARC (2 revisions)
- Mark Palmer (2 revisions)
- Culture, Communication and Change (2 revisions)
- Design education in the UK and China (2 revisions)
- Alison McDougall-Weil (2 revisions)
- Simon Laughlin (2 revisions)
- Jonathan Mackenzie (2 revisions)
- Software design for videogames (2 revisions)
- Teaching rhetoric with tangible interfaces (2 revisions)
- Adrian Poole (2 revisions)
- Anne Anderson (2 revisions)
- Arlene Oak (2 revisions)
- Alice Street (2 revisions)
- Scanning and feedback from chemical structures (2 revisions)
- Kathleen Richardson (2 revisions)
- Seeing big data (2 revisions)
- Button brain (2 revisions)
- Symbian (2 revisions)
- Matthew Taylor (2 revisions)
- Peter Robinson (2 revisions)
- Lorisa Dubuc (2 revisions)
- Affiliated Researchers (2 revisions)
- Kath Powlesland (2 revisions)
- Mobile Healthcare (2 revisions)
- Equitable knowledge infrastructure (2 revisions)
- Rainbow Group (2 revisions)
- Peter Tregear (2 revisions)
- Sebastian Macmillan (2 revisions)
- African SMS Radio (2 revisions)
- AmbITion (2 revisions)
- Dasher (2 revisions)
- Marking and Making (2 revisions)
- Clifford Dive (2 revisions)
- Scott Whittaker (2 revisions)
- Patterns of user experience (2 revisions)
- Gerhard Fischer (2 revisions)
- User interface design for bioinformatics (2 revisions)
- Transition to electronic patient records (2 revisions)
- Hugh Shercliff (2 revisions)
- Visual design constraint overlays (2 revisions)
- Mobile mirror shopping assistant (2 revisions)
- Michelle Rigozzi (2 revisions)
- Alan Jackson (2 revisions)
- Rosaleen McCarthy (2 revisions)
- Comparative expert practice (2 revisions)
- Sally Jane Norman (2 revisions)
- Defining Pi (2 revisions)
- James Moore (2 revisions)
- Performing with Gadgeteer (2 revisions)
- CUMIS (2 revisions)
- Sonic Pi: Live & Coding (2 revisions)
- Qin Jingyan (2 revisions)
- The IQ of crowds (2 revisions)
- Karmen Guevara (2 revisions)
- Louis Bucciarelli (2 revisions)
- Jochen Runde (2 revisions)
- Leverhulme Trust (2 revisions)
- John Rink (2 revisions)
- VNC video wall (2 revisions)
- Aveva (2 revisions)
- Critical theory for HCI (2 revisions)
- Richard Sharp (2 revisions)
- Amiria Salmond (2 revisions)
- Standard reply to students writing from India to request an internship (2 revisions)
- Low literacy interaction (2 revisions)
- Interdisciplinary Design Workshops (2 revisions)
- Critical coding (2 revisions)
- Alexander Simpson (2 revisions)
- Palimpsest (2 revisions)
- Joint Urban Design Studio (2 revisions)
- Cambridge Digital Humanities Initiative (2 revisions)
- Super-influencers on social networks (1 revision)
- Frank Wales (1 revision)
- Steve Platt (1 revision)
- William Newman (1 revision)
- Andy Rice (1 revision)
- Caroline Hyde (1 revision)
- Mel Leggatt (1 revision)
- Rhodri Morgan (1 revision)
- Tom Hall (1 revision)
- Karl Prince (1 revision)
- Barbara Ravelhofer (1 revision)
- Will Billingsley (1 revision)
- Vilius Naudziunas (1 revision)
- Matthew Herbert (1 revision)
- Interdisciplinary Design for the Built Environment (1 revision)
- Alex Driver (1 revision)
- Jonathan May (1 revision)
- Tim Oates (1 revision)
- Kirsten Hollands (1 revision)
- Culture Lab Newcastle (1 revision)
- Timothy Horton (1 revision)
- Ellen Do (1 revision)
- Adrian Woolard (1 revision)
- Paul Dourish (1 revision)
- Creative Front (1 revision)
- Carlo Ratti (1 revision)
- Nichola Harrison (1 revision)
- Mark Turin (1 revision)
- Daniel Brine (1 revision)
- Martin Stacey (1 revision)
- Acoustic Bio-diversity Monitoring (1 revision)
- Hugh Warrington (1 revision)
- Kodak European Research (1 revision)
- Dan Ryder-Cook (1 revision)
- Alban Rrustemi (1 revision)
- Trusting e-Medicine (1 revision)
- Tariq Khokhar (1 revision)
- Margaret Burnett (1 revision)
- Jonathan Impett (1 revision)
- Alistair Haines (1 revision)
- Patrick Olivier (1 revision)
- Collaboration in Internet Science (1 revision)
- Jenny Judge (1 revision)
- Mashing up the Internet of Things (1 revision)
- Phil Cowans (1 revision)
- Dan Whitney (1 revision)
- Jane Ladlow (1 revision)
- Chris Haley (1 revision)
- The Divine Comedy as a faithful videogame (1 revision)
- Bert Bongers (1 revision)
- Jackie Scott (1 revision)
- Mike Michael (1 revision)
- James Lester (1 revision)
- Mark Stringer (1 revision)
- Anne Roberts (1 revision)
- Flexible collaboration for aerospace development (1 revision)
- Ying Jin (1 revision)
- Franzi Florack (1 revision)
- Mo Syed (1 revision)
- David Stillwell (1 revision)
- Martin Kusch (1 revision)
- Ignatios Charalampidis (1 revision)
- Cambridge Governance Labs (1 revision)
- Tanja Schomann (1 revision)
- Steve Basford (1 revision)
- Pete Calvert (1 revision)
- Bjoern Hassler (1 revision)
- Ways of Machine Seeing (1 revision)
- Alan Macfarlane (1 revision)
- Michael Harrison (1 revision)
- Rob Wallach (1 revision)
- Chris Earl (1 revision)
- Paola Kathuria (1 revision)
- Chris Roast (1 revision)
- Nai-Chieh Liu (1 revision)
- Yuri Engelhardt (1 revision)
- Virtuosity in computer use (1 revision)
- Melissa Lane (1 revision)
- Marcial Echenique (1 revision)
- Matthias Stevens (1 revision)
- Martin Dixon (1 revision)
- Simone Schnall (1 revision)
- David Griffiths (1 revision)
- Claudia Eckert (1 revision)
- Carrie-Anne Philbin (1 revision)
- Next-generation museum guide (1 revision)
- Peter Landshoff (1 revision)
- Online sentiment and happiness (1 revision)
- Cheryl Hung (1 revision)
- Zhen Bai (1 revision)
- Hok-Him Poon (1 revision)
- Bill Gaver (1 revision)
- Issam Kourbaj (1 revision)
- Catherine Howell (1 revision)
- Ignas Budvytis (1 revision)
- Kathryn Lawrence (1 revision)
- Charith Perera (1 revision)
- Ian Donaldson (1 revision)
- Turning Worlds Dance: Quantum (1 revision)
- Kate Flannery (1 revision)
- Engineering Design Centre (1 revision)
- Tom Whitehead (1 revision)
- Dan Tidhar (1 revision)
- Thore Graepl (1 revision)
- Caroline Gerrard (1 revision)
- Heather Cruickshank (1 revision)
- Lara Allen (1 revision)
- Ilona Alexander (1 revision)
- Gillian Crampton-Smith (1 revision)
- Paul Anderson (1 revision)
- Phil Barnard (1 revision)
- Beryl Plimmer (1 revision)
- Perry Walker (1 revision)
- Simon Geard (1 revision)
- Kurt Fendt (1 revision)
- Amyas Phillips (1 revision)
- John Knell (1 revision)
- Ravi Rayan (1 revision)
- Georgina Born (1 revision)
- Rhiannon Williams (1 revision)
- Hugo Hudson (1 revision)
- Nicolas Villar (1 revision)
- Statistical persuasion authoring (1 revision)
- DesignScript (1 revision)
- Nilu Satharasinghe (1 revision)
- Baghdad Monologue (1 revision)
- Corinne Dive-Reclus (1 revision)
- Paul Crank (1 revision)
- Nikiforos Karamanis (1 revision)
- Wayne MacGregor (1 revision)
- Jeff Bardzell (1 revision)
- Simon Schaffer (1 revision)
- Community music in the streaming age (1 revision)
- Simon Blackburn (1 revision)
- Simon Biggs (1 revision)
- Claudia Catacchio (1 revision)
- RIP: A Remix Manifesto (1 revision)
- Intel (1 revision)
